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      • To get the spaceships' attention prior to their arrival at Devil's Tower, the five notes the scientists play are G, A, F, (octave lower) F, C. When they arrive at the tower and are attempting communication, the notes they play are B flat, C, A flat, (octave lower) A flat, E flat.
      www.johnloomis.org › ece202 › notes
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  2. Aug 23, 2018 · Discover the secrets behind the iconic five-tone sequence in Steven Spielberg's Close Encounters of the Third Kind and its use as a universal language in communicating with aliens. Learn about the process of creating the phrase and its parallels with classical music.

  3. Mar 31, 2014 · 1977 Steven Spielberg, Richard Dreyfuss, François Truffaut

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    • Moist Cut
  4. Jul 28, 2018 · The clips viewed here are from Close Encounters of the Third Kind and is property of Columbia Pictures. Copyright 1977. All Rights Reserved. The Mothership departs Earth with the Five...

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  5. Jul 16, 2012 · For example, "Close Encounters of the Third Kind" translates as: re-la-mi-re la-so la la-fa-re-sol la-re-fa-la. Or in color as: orange-indigo-yellow-orange indigo-blue indigo indigo-green-orange-blue indigo-orange-green-indigo. So, hopefully, that makes the combination of sounds and color the ships were displaying make more sense.

  6. May 4, 2020 · The Meaning of the Five Music Tones [Close Encounters of the Third Kind] – did you blank it? Mr. Blue May 4, 2020 Did you see it? Blog, blogging, film, Music, Spielberg. Video unavailable. Watch on YouTube. Video of the five tones. Start with the tone. (Pinkish-red) – D. Up a full tone. (Orange) – E. Down a major third. (Purple) – C.

  7. The five musical tones in Close Encounters are, in solfege, Re, Mi, Do, Do, So, as below. The second Do is an octave below the first. The five tones were chosen by composer John Williams after trying about 350 of the approximately 134,000 possible five-note combinations available in the 12-tone chromatic scale.

  8. Jan 3, 2020 · In a reversal of the normal process, Spielberg set parts of the film to Williams’ music. The film blends mystery, terror, and childlike wonder. One of its dominant themes involves the human need to connect and find deeper meaning. It is the music which elevates Close Encounters to the land of metaphor. Atonality (the unknown) and tonality ...

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