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  1. For over twenty-five years, directors/producers Dan Geller and Dayna Goldfine have jointly created critically-acclaimed multi-character documentary narratives that braid their characters’ individual personal stories to form a larger portrait of the human experience. Choose a title on the right to learn more about our films or to place an order.

    • Isadora Duncan

      This unsentimental portrait of the complex and charismatic...

    • The Galapagos Affair

      Darwin meets Hitchcock in the feature-length documentary THE...

    • Ballets Russes

      ©2021, Geller/Goldfine, All Rights Reserved Worldwide....

    • Seniors

      Four years after finishing the critically-acclaimed FROSH:...

  2. Language. English. Box office. $2.5 million (worldwide) [4] [5] Hallelujah: Leonard Cohen, A Journey, A Song is a 2022 feature-length documentary biographical film created by Dan Geller and Dayna Goldfine describing the story of Leonard Cohen, focusing on his song "Hallelujah". The film is based on Alan Light 's 2012 book The Holy or the Broken.

  3. Jul 15, 2022 · Hallelujah: Leonard Cohen, a Journey, a Song: Directed by Daniel Geller, Dayna Goldfine. With Leonard Cohen, Nancy Bacal, Steve Berkowitz, Jeff Buckley. This documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, "Hallelujah".

    • (1.3K)
    • Documentary, Biography, Music
    • Daniel Geller, Dayna Goldfine
    • 2022-07-15
  4. Sep 3, 2021 · Daniel Geller and Dayna Goldfine’s respectful doc tells the story of the artist through the life of his 1984 song, by turns a modern prayer, symbolist poem and divine gift.

    • Xan Brooks
  5. Sep 2, 2021 · Daniel Geller and Dayna Goldfine’s Hallelujah: Leonard Cohen, a Journey, a Song — arriving on the semi-recent heels of Lian Lunson’s Leonard Cohen: I’m Your Man and Nick Broomfield’s ...

  6. Nov 9, 2022 · Dayna Goldfine and Daniel Geller Goldfine : Also, a big change was moving the scene with Ratso up to the front. We left the opening of the film until the end to start cutting because, with the more films that you make, the more you realize that openings and closings are the ones that you cut and recut and recut forever.