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The song tells the story of a cowboy singing a peculiar cowboy song. It incorporates elements of western and swing music, creating a unique fusion that defines Armstrong’s style. The lyrics of the song depict the cowboy’s journey, singing his “cow cow boogie” in a strange yet captivating way.
- Jazz & Blues: 36 Outstanding Tracks (2001)
- Jazz
- Louis Armstrong
- Joe “King” Oliver, Louis Armstrong
This is partly because "Dippermouth", in the song's title, was a nickname of Armstrong's. Also, the phonograph recordings from 1922 gave credit to Armstrong and Oliver jointly. The song is a strong example of the influence of the blues on early jazz. There is a twelve-bar blues harmonic progression, with frequent bent notes and slides into notes.
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Dippermouth Blues Lyrics: Out on the plains, down near Santa Fe / I met a cowboy ridin' the range one day / And as he jogged along, I heard him singin' / A most peculiar cowboy...
3 days ago · One of the songs is “Dippermouth Blues,” co-penned by Armstrong and Oliver. Though best-remembered for Oliver’s plunger mute solo, the title refers to Armstrong. Dipper was in fact one of Armstrong’s early nicknames, a riff to his somewhat unusual embouchure.
Early on, Armstrong was also known as "Dipper", short for "Dippermouth", a reference to the piece Dippermouth Blues and something of a riff on his unusual embouchure. The nickname "Pops" came from Armstrong's own tendency to forget people's names and simply call them "Pops" instead.
One other issue that the analysis of “Dippermouth Blues” raises is whether blues melodies (or blues scales or modes) are related to blues harmony. The prevailing view, which has persisted since the 1930s, is that the harmony of the blues and jazz is of European origin whereas the blue notes are derived from African American practice.
Written by King Oliver and his young protege, Louis Armstrong, "Dippermouth Blues" is a true jazz classic. This version was recorded a couple of months after the version on the Gennett label. "Dippermouth Blues" was probably the best jazz record that had been made up till that point.
