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  1. "Dippermouth Blues" is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer.

  2. en.wikipedia.org › wiki › King_OliverKing Oliver - Wikipedia

    Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong .

  3. Louis Armstrong discography. Louis Armstrong (1901–1971), nicknamed Satchmo [1] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz.

  4. Explore Dippermouth Blues's discography including top tracks, albums, and reviews. Learn all about Dippermouth Blues on AllMusic.

  5. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong.

    Matrix No.
    First Recording Date
    Title
    Primary Performer
    12/17/1925
    Sugar foot stomp
    Fred Hamm Orchestra
    12/16/1926
    Doctor Jazz stomp
    Jelly Roll Morton ; Red Hot Peppers
    6/11/1928
    Mournful serenade
    Jelly Roll Morton ; Red Hot Peppers
    2/1/1929
    Easy goin'
    King Oliver Orchestra
  6. 6 days ago · In 1923, King Oliver’s Creole Jazz Band – also featuring Louis’ soon-to-be wife Lil Hardin – recorded sides for Gennett. These are believed to be the first Armstrong recordings. One of the songs is “Dippermouth Blues,” co-penned by Armstrong and Oliver.

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  8. "Dippermouth Blues" is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer.

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