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Jan 3, 2024 · Screenwriter Tony McNamara spoke to Script Magazine about the evolution of language, the complexity of humans, and introducing humor through character. Andrew Bloomenthal. Jan 3, 2024. To describe Poor Things is to divulge major spoilers, of which this article has many.
Dec 15, 2023 · So the idea was, yes, the language had to nod that it was a period thing, but it also had to allow the audience to enter her experience. It had to be period enough that you bought the world, but...
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Dec 10, 2023 · The Screenwriter of ‘Poor Things’ Flunked English Class — Now, Tony McNamara Is Hollywood’s Hottest Scribe. Tony McNamara was a voracious reader as a kid growing up in a rural town outside ...
- Adam B. Vary
Dec 13, 2023 · "I love language and I love dialogue, so it gave me an opportunity to create a way of speaking, and to create a world where the dialogue fitted the world. That was fantastic.
- Elisabetta Bianchini
Jan 2, 2024 · Vanity Fair: Poor Things, The Great, and The Favourite all have this invented style of language that seemingly combines classic style and a modern sensibility. How do you do that? Tony McNamara: I love language and I love dialogue. It’s one of the most exciting things about writing a script for me.
Feb 14, 2024 · In most films, characters talk the way they talk for the whole film, but Bella’s language has to evolve scene by scene, sequence by sequence, as she grows at this accelerated but inconsistent...
Aug 26, 2020 · Tony McNamara reveals why he changed 'The Great's script from a film to a series, what lines he's not willing to cross, and the biggest writing challenges presented by the show.
