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- It has a reasonably strong lead performance for micro-budget horror, but writer/director Jeffrey Reddick can’t come through with the thrills, resorting to cheap jump scares to hide shoddy editing, low-grade cinematography, and the kind of clunky storytelling that’s more reminiscent of a Creepypasta tale than a feature film.
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www.rogerebert.com · reviews · dont-look-back-movieDon’t Look Back movie review (2020) - Roger Ebert
Oct 16, 2020 · Reviews. Don’t Look Back. Horror. ‧ NR ‧ 2020. Brian Tallerico. October 16, 2020. 3 min read. Like someone jamming pieces of better movies together without realizing they won’t quite fit, and then forgetting the best parts, “Don’t Look Back” is almost fascinating in its missteps.
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Packed with believable acting, dynamic direction, and a nifty twist ending, Don't Look Back emerges as a superb thriller for the viral video generation. Full Review | Original Score:...
May 1, 1998 · Reviews. Don’t Look Back. Documentary. 96 minutes ‧ NR ‧ 1967. Roger Ebert. May 1, 1998. 4 min read. What a jerk Bob Dylan was in 1965. What an immature, self-important, inflated, cruel, shallow little creature, lacking in empathy and contemptuous of anyone who was not himself or his lackey. Did we actually once take this twirp as our folk god?
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Oct 16, 2020 · Don't Look Back does an impressive job of working within obvious budget constraints, but writer-director Jeffrey Reddick is overly reliant on genre clichés. Read Critics Reviews. With...
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Don’t Look Back. Documentary. 96 minutes ‧ NR ‧ 1967. Roger Ebert. March 21, 1968. 3 min read. “Don’t Look Back” is a fascinating exercise in self-revelation carried out by Bob Dylan and friends. The portrait that emerges is not a pretty one.
Don't Look Back leaves the mysteries of Dylan largely intact while offering a gripping verite-style account of a pivotal moment in his incredible career. Read Critics Reviews
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Don't Look Back is really worthy of a decent film. Examining the guilt, responsibilities, or otherwise, of non - intervening witnesses to crimes, who prefer to film the events they see, on their phones, rather than render any assistance.
