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Nov 29, 2022 · Bob Dylan had a complicated relationship with Edie Sedgwick, which he's reluctant to discuss to this day. She also inspired a few of his hit songs.
- ‘Like A Rolling Stone’ – Bob Dylan
- ‘Femme Fatale’ – The Velvet Underground
- ‘Velocity Girl’ – Primal Scream
- ‘Girl in A Million (For Edie Sedgwick)’ – Dream Academy
- ‘Edie (Ciao Baby)’ – The Cult
At the end of Sedgwick’s reign as Warhol’s it-girl, she supposedly began a brief affair with folk singer Bob Dylan, whom she had met at a Factory Party. Dylan wasn’t a fan of her scene and warned Warhol would discard Sedgwick when he got tired of her. After Dylan’s awkward visit to The Factory, Sedgwick was put in the middle of their feud. Dylan’s ...
During the prime of Warhol’s admiration for Sedgwick, he asked the band he was managing, The Velvet Underground, to write a song about his superstar. According to frontman Lou Reed, when he asked Warhol what he should write about her, Warhol said, “Oh, don’t you think she’s a femme fatale, Lou?” ‘Femme Fatale’ was recorded at the Scepter Studios in...
Released on the B-side to British alternative rock band Primal Scream’s 1986 single, ‘Crystal Crescent,’ ‘Velocity Girl’ was said to be partly inspired by Sedgwick. With lyrics like, “Here she comes again, with vodka in her veins/ Been playing with a spike, she couldn’t get it right/ Splendor in silver dress, velocity possessed/ The world was hers ...
Sedgwick’s legacy experienced a posthumous resurgence in the ’80s with a string of songs inspired by the ’60s it-girl. The proof is in the title with British band Dream Academy’s song ‘Girl In A Million (For Edie Sedgwick).’ In the song, the band touches on Sedgwick’s unhappiness despite her social status and gives a nod to her film Poor Little Ric...
After Sedgwick broke away from Warhol’s factory scene in 1966, she attempted a serious acting career in her own right. But her first role as a solo act became her last as Susan Superstar in Ciao! Manhattan, which was written and directed by John Palmer and David Weisman. Along with Sedgwick’s tragic story, the film was the inspiration behind The Cu...
Dec 15, 2023 · One such figure who left a significant impact on Dylan’s songwriting was Edie Sedgwick, an icon of the 1960s art scene. Let’s dive into the enigmatic connection between Dylan and Sedgwick, as we unravel the mystery behind some of his most memorable songs that were inspired by her.
Sedgwick inspired a number of songs—during her life by artists Bob Dylan and the Velvet Underground, and posthumously. 1960s. Bob Dylan's "Just Like a Woman", "Leopard-Skin Pill-Box Hat" and "Fourth Time Around" from his 1966 album Blonde on Blonde are reportedly about Sedgwick, as was his 1965 No. 2 single "Like a Rolling Stone".
An iconic Bob Dylan song, "Like A Rolling Stone" is the story of a debutante who becomes a loner when she falls out of high society. It's a crushing blow, but there is an upside: when you got nothing, you got nothing to lose. Another advantage to being on your own: when you're invisible, you have no secrets to reveal.
" Leopard-Skin Pill-Box Hat " is a song by the American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston.
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Songs Tied to Edie Sedgwick. Now, let’s explore some of Dylan’s songs that are believed to have been inspired by Sedgwick and attempt to unravel their hidden meanings: “Like a Rolling Stone” This iconic track from Dylan’s album “Highway 61 Revisited” is often associated with Edie Sedgwick.
