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  1. Budget. $2.75 million [2] Box office. $3.5 million (US/Canada) [3] Far from the Madding Crowd is a 1967 British epic period drama film directed by John Schlesinger and starring Julie Christie, Alan Bates, Terence Stamp and Peter Finch. [4] The screenplay was by Frederic Raphael adapted from Thomas Hardy 's 1874 novel Far from the Madding Crowd.

  2. Far from the Madding Crowd: Directed by John Schlesinger. With Julie Christie, Terence Stamp, Peter Finch, Alan Bates. Bathsheba Everdene, a willful, flirtatious young woman, unexpectedly inherits a large farm and is romantically pursued by three very different men.

    • (6.2K)
    • Drama, History, Romance
    • John Schlesinger
    • 1967-10-18
  3. Directed by John Schlesinger

    • 5 min
    • 1695
    • K-VAN
  4. Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men. John Schlesinger. Thomas Hardy. Frederic Raphael.

  5. The Hand of Ethelberta. Far from the Madding Crowd (1874) is Thomas Hardy 's fourth published novel and his first major literary success. It was published on 23 November 1874. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. The novel is set in Thomas Hardy's Wessex in rural ...

    • Thomas Hardy
    • 1874
  6. Movie Clip. Far From The Madding Crowd (1967) -- (Movie Ciip) Since I've Beheld YouBathsheba (Julie Christie) is overseeing her would-be suitor, and neighbor-turned-employee Oak (Alan Bates) when gentleman landowner Boldwood (Peter Finch) arrives, having taken her Valentine jest seriously, in John Schlesinger's Far From The Madding Crowd, 1967.

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  8. Far From The Madding Crowd (1967) An overlong and somewhat plodding screen treatment of Thomas Hardy’s novel about a beautiful English farm girl who affects the lives of three men. John Schlesinger seems much at home with this tale of Wessex folk, and his direction is enhanced by Nicolas Roeg‘s seductive camerawork and Frederic Raphael’s ...

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