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Sep 15, 2012 · Giorgio Vasari & Court Culture in Late Renaissance Italy. Although the poet Ludovico Ariosto was the first to call Michelangelo Buonarroti (1475–1564), the famous Florentine sculptor, painter, architect, and poet, “divine” in his Orlando Furioso of 1516, it was Vasari who published Michelangelo’s first biography—the first of any ...
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At this time, in the year 1525, Giorgio Vasari was brought as a boy to Florence by the Cardinal of Cortona and put with Michelangelo to learn the art. But he being called by Pope Clement VII to Rome, determined that Vasari should go to Andrea del Sarto, and went himself to Andrea's workshop to recommend him to his care.
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- The Legacy of Giorgio Di Antonio Vasari
Giorgio Vasari, the eldest of six children, was born in 1511 into a middle-class family living in the Arezzo region of Tuscany. Giorgio's artistic leanings were passed down to him through the generations of family members. His great-grandfather Lazzaro Vasari had been a versatile artiste: a potter, a creator of decorated saddles, a painter of minia...
By 1524, Vasari left Arezzo to take up a Florentine apprenticeship. This opportunity arose as a consequence of Vasari's family ties to the Medici family, an Italian banking family and political dynasty who were at that time the most influential of all the patrons of the arts. Vasari enjoyed additional patronage from one Silvio Passerini, Cardinal o...
Scholar Leon Satkowski presents a biographical picture of Vasari as something of a narcissist. He was on the one hand "loyal, hard-working, and totally committed to the political aspirations of his patrons." On the other, he was known to have an "obsequious personality" which "did not make him universally popular". Vasari could be at once "confiden...
In 1550, Vasari published his seminal text, The Lives of the Most Eminent Sculptors, Painters, and Architects, in collaboration with his friend Vincenzo Borghini as well as local experts. Despite its manifest shortcomings, the text crystalized the ideology of the Renaissance as the aesthetic progression out of the Dark Ages of the Medieval era and ...
Vasari's greatest legacy is his 1550 text, The Lives of the Most Eminent Sculptors, Painters, and Architects, a seminal document which contributed to the formation of art history as a viable academic discipline. From then till now, artists and scholars have drawn on The Lives as an important, albeit problematic, and often apocryphal, guide to the I...
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The Torment of Saint Anthony is the first known painting by Michelangelo, described by his earliest biographers, Giorgio Vasari, and believed to have been painted when he was twelve or thirteen years old.
Vasari designed the Tomb of Michelangelo, his hero, in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto 's new manner of painting as a rinascita (rebirth), author Jules Michelet in his Histoire de France (1835) [5] suggested the adoption of Vasari's concept, using the term ...
Apr 12, 2024 · When still a child, Vasari was the pupil of Guglielmo de Marcillat, but his decisive training was in Florence, where he enjoyed the friendship and patronage of the Medici family, trained within the circle of Andrea del Sarto, and became a lifelong admirer of Michelangelo.
Jun 27, 2018 · In this episode, senior curator of paintings Davide Gasparotto discusses the structure and history of Vasari’s Lives and explores three biographies in particular—those of Giovanni Bellini, Raphael, and Michelangelo.
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