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- Marc Chacksfield
- Fight Club. Song: Pixies - Where Is My Mind? The ending of Fight Club goes like this (including spoilers, in case you’re one of the eight people who’s not seen it): Tyler works out that Tyler is Tyler.
- Stand By Me. Song: Ben E. King – Stand By Me. Though Stand By Me is based on Stephen King’s novella The Body, the film takes its name from the Ben E. King song.
- 8 Mile. Song: Lose Yourself - Eminem. The whole of 8 Mile was building up to its ending, when B-Rabbit has a rap battle that, if he wins, hip-hop supremacy awaits.
- The Bourne Ultimatum. Song: Moby – Extreme Ways. For most sensible people, the end of the third Bourne film comes as a musical epiphany. Instead of being a guy who makes dreary music for adverts, it turns out that Moby's music is occasionally amazing.
- 'Where Is My Mind?' in 'Fight Club' The crunching guitars, sharp drums, and Kim Deal's warbling gives the Pixies' "Where Is My Mind?" a psychedelic sound that compliments David Fincher's mind-bending satire of commercialism and masculinity.
- 'My Way' in 'Goodfellas' Martin Scorsese is a master of using music in his movies, but perhaps one of his most memorable needle drops is Sid Vicious' snarling cover of Frank Sinatra's "My Way" in the final scene and end credits of "Goodfellas."
- 'Baby You're a Rich Man' in 'The Social Network' Trent Reznor's mechanical score is a striking component of David Fincher's "The Social Network," a chilling study of the internet phenomenon that completely transformed the world as we knew it.
- 'Paint it Black' in 'Full Metal Jacket' Stanley Kubrick frequently uses the soundtrack in parodic ways throughout "Full Metal Jacket" to amplify his critique of chauvinism, from the light-hearted opening "Hello, Vietnam" to the Mickey Mouse Club theme song at the end, where young men sing the ironic sound of childhood innocence as they march through a barren wasteland of death and destruction.
Mar 16, 2016 · If what they say is true, that the beginning and end of a film are the most memorable parts, then music aficionados, editors, and filmmakers know that an opening and closing song can have an enormous impact on how you feel walking out of the theater. Here’s a list of 15 movies that ended on a perfect note.
Jul 10, 2023 · With adventure movies in particular, an epic, sweeping soundtrack can take the audience along on an exciting ride and remain in their heads long after the credits roll. Here are some of the most iconic adventure movie soundtracks of all time.
- Musicnotes
- Vera Lynn – “We’ll Meet Again” in Dr. Strangelove (1964) The Cold War made for a lot of incredible entertainment between the 1950s and 1980s, and some of the best of it came in satirical form — like this black comedy, surely one of the best films to bear Stanley Kubrick’s directorial title.
- Simple Minds – “Don’t You (Forget About Me)” in The Breakfast Club (1985) Scottish rockers Simple Minds only had one hit in the U.S., “Don’t You (Forget About Me).”
- Underworld – “Born Slippy (Nuxx)” in Trainspotting (1996) The first line in the 1996 film adaptation of the Irvine Welsh novel Trainspotting is “Choose life,” which initially seems ironic, considering the story centers around a cast of characters that struggle with heroin addiction.
- Elliott Smith – “Miss Misery” in Good Will Hunting (1997) Gus Van Sant’s 1997 film Good Will Hunting blended heartwarming and soul-crushing elements to tell the story of tormented delinquent/genius prodigy Will Hunting, so it’s no surprise that the filmmakers chose to use five Elliott Smith songs, the bulk of them from either/or, as part of its dramatic score.
Sep 12, 2021 · From The Stones' Paint It Black in Full Metal Jacket to the epic ending of The Matrix, these are the best uses of pop music in movie end credits.
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The end credits are a powerful part of the cinematic viewing experience. As the final images and sounds of a film, the credits serve as an epilogue of sorts that allows the audience to reflect on what they have just seen. The use of a great song can leave a lasting impression on the viewer.
