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Aug 17, 2022 · The film includes 15 minutes of elaborate animation sequences created by illustrator Gerald Scarfe and Roger Waters. Pelicula lanzada el 23 de mayo de 1982 dirigida por el director británico Alan...
- 100 min
- 1.3M
- Martin Frecha
Pink Floyd: The Wall: Directed by Alan Parker. With Bob Geldof, Christine Hargreaves, James Laurenson, Eleanor David. A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.
- Alan Parker
- 2 min
Feb 24, 2010 · While the Beatles and Stones had recorded stand-alone songs or themed albums at the most, The Who produced “Tommy” in 1969 and “Quadrophenia” in 1973. David Bowie and Genesis followed, and “Pink Floyd: The Wall” essentially brought a close to that chapter.
- Perfectly Visualizes A Great Album
- Helps Develop The Narrative of 'The Wall'
- Feels Like A Feature-Length Music Video
- Combines Live-Action and Animation to Stunning Effect
- Takes A Disturbing Look at The Price of Fame
- Still Contains Relevant Themes About Fascism, Greed, and Corruption
- Has (Obviously) Great Music
- Blends A Wide Variety of Genres in A Short Runtime
- Contains Truly Nightmarish Imagery
- Has Never Been Equaled Or Truly Replicated Since
The first challenge to a movie like Pink Floyd – The Wall is the same sort of challenge most adaptations face. That question is how do you take a premise or story that worked in one medium and make it just as compelling in an entirely different one? It's one thing for a book-to-movie adaptation to do this successfully, but here, the filmmakers pull...
While Roger Waters - the lead writer behind the original album - intended there to be a narrative to The Wall, it's not the easiest to follow, especially if you don't give the album multiple listens. The album's lead character, a musician named Pink, goes through a great deal throughout the harrowing storyline, with flashbacks, surreal nightmares, ...
With Pink Floyd – The Wall being a little longer than the album, and featuring minimal dialogue, most of the runtime features songs from the album playing. As such, much of the movie ends up feeling like one long music video (or, more accurately, like a couple-dozen music videos stitched together to form a narrative). RELATED: The Best Animated Mus...
One of the most striking things about Pink Floyd – The Wall is the way it combines live-action footage with surreal, often disturbing animation. It's done to keep the visuals varied throughout, but also to add to the film's unsettling atmosphere, and better depict what's going on within the main character's head. This mostly applies to the animated...
Roger Waters was writing from experience when he made The Wall, and based the character of Pink on himself and ex-Pink Floyd bandmate Syd Barrett. It's a painfully honest look at the price of being a rockstar, and spends much of its time on the downsides to the profession and the fame that comes with it, rather than any of the upsides. It makes for...
Pink Floyd – The Wall is a movie that becomes increasingly dark as it goes on (and it doesn't exactly start happily, either). Part of Pink's downfall involves him thinking of himself as a fascist dictator, with him whipping concertgoers into frenzies and inspiring violence and destruction on a mass scale. It works within the film's world and story,...
It's a no-brainer that an album based on a Pink Floyd album is going to have great music. While The Wall might not be the band's very best album, it's up there, and the fact it has such a strong narrative (and goes for almost an hour-and-a-half) makes it easier to adapt into a film than better albums like Dark Side of the Moon, Wish You Were Here, ...
It's hard to define Pink Floyd – The Wall when it comes to genre/s. It's arguably a musical, even if the characters seldom actually break into song. It's a psychological drama, maybe, but crosses over into horror at times as well, thanks to its nightmarish visuals. Some scenes deal with war, and it perhaps contains an element of satire when it come...
It needs to be emphasized how unsettling Pink Floyd – The Wall gets with some of its imagery. The early scenes deal with Pink's father being killed in World War Two, with the wartime images - both live-action and animated - establishing a dark tone. From there, things get more intense as Pink's mental well-being unravels. By the end of the film, th...
No movie has equaled or mirrored Pink Floyd – The Wall, in terms of being a musical/psychological drama/horror/satire/war movie hybrid. Its closest comparable movie might be 1975's Tommy, which adapted The Who's album of the same name to the screen, but even then, the tones and visuals of each differ drastically. At the same time, it's hard to imag...
- Jeremy Urquhart
- Senior Author
The Wall is a rock opera [28] that explores abandonment, cycles of violence, and isolation, symbolized by a wall. The songs create a storyline of events in the life of Pink, a fictional rock star based on Waters and Pink Floyd's former frontman Syd Barrett.
The Wall was nominated for and won two BAFTA Awards: Best Original Song (Roger Waters, for the song "Another Brick in the Wall") and Best Sound (James Guthrie, Eddy Joseph, Clive Winter, Graham V. Hartstone, Nicolas Le Messurier).
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Pink Floyd's expression of generational angst is given striking visual form The Wall, although this ambitious feature's narrative struggles to marry its provocative images and psychedelic...
- (30)
- Musical, Drama
- R
