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- No. But it's well done enough to offer a spine-tingling distraction that's sure to at least squeeze a jump or two out of you. The Banishing is available to rent now on digital platforms, and will stream on Shudder April 15.
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The Banishing is a 2020 British gothic horror film directed by Christopher Smith, starring Jessica Brown Findlay, John Heffernan, John Lynch and Sean Harris. It premiered at the Sitges Film Festival and London FrightFest Film Festival in October 2020, before being released digitally in the United Kingdom on 26 March 2021.
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Mar 26, 2021 · The Banishing: Directed by Christopher Smith. With Jessica Brown Findlay, John Heffernan, Anya McKenna-Bruce, Sean Harris. The Banishing tells the story of the most haunted house in England. In the 1930s, a young reverend, his wife and daughter move into a manor with a horrifying secret.
- (2.8K)
- Horror, Mystery, Thriller
- Christopher Smith
- 2021-03-26
Mar 26, 2021 · A large, half-abandoned manor house. Hooded figures. A little girl playing with some distinctly unnerving dolls. When you break down the various components, The Banishing is nothing new. Many of...
- Sam Haysom
- shaysom@mashable.com
Apr 12, 2021 · The Gothic estate at the center of The Banishing is based on the infamous Borley Rectory, a haunting made famous thanks to the investigation by true-life psychic researcher Harry Price.
- Meagan Navarro
Apr 15, 2021 · Like most movies about haunted houses nowadays, “The Banishing” is allegedly based on a real location, but this one is notoriously the most haunted of the haunted houses in England, Borley Rectory.
Apr 17, 2021 · “The Banishing” is a haunted house film, and a Chris Smith film too, which means each of his characters in their own way are helplessly trapped in cycles of torment. But it’s also a film about repression and persecution of desire, both in its present and its past.
Oct 27, 2020 · The Banishing is a very fine horror: A slow burn, drip feed delivery of menace and dread that also explores issues of repression and deceit, as well as tensions both familial and political. Like many a ghost tale, The Banishing uses the possibility of a spectral presence as a metaphor for past fears and regrets, and especially sin.
