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  1. What's different now is that churches of varying perspectives and racial identities have picked up on Simmons's strategy of using jazz to attract disaffected believers, and a number of pastors...

  2. Mar 16, 2003 · I’m curious: How similar does everyone think jazz and celtic music are? There seem to be so many differences, but I can think of a couple general things in common, like they both can use improv, and their links to dance.

  3. Originating from ancient Greece, this mode has traversed centuries, influencing various musical genres from classical compositions to flamenco, jazz, rock, and even film scores. This guide delves into the Phrygian mode, exploring its characteristics, history, usage, and its enduring appeal in music.

  4. blog.preludemusicplanner.org › 2012 › 10Celtic Music in Worship

    Oct 8, 2012 · Anything folksy (BUNESSAN), Celtic (SLANE), or early American (HOLY MANNA) works quite well. The key is to slow down the harmonic rhythm: one or two chords per measure. If you play four chords per measure out of the hymnal on the piano with your instrumentalists it will sound Lutheran instead of Irish!

    • We Analyzed “Bemsha Swing”
    • Can You Hear That Flamenco Tinge in This Cool Jazz Recording?
    • How to Sound Exotic Like Miles Davis and Bill Evans
    • How to Hybridize The Phrygian Scale
    • Why Jazz Piano Mastery Remains Elusive

    Want to make swing sound a bit more exotic without resorting to Latin rhythms? Get some inspiration from Thelonious Monk. Take a few minutes to listen to “Bemsha Swing”. We’ll break it down after: Now that you’ve had a moment to listen to “Bemsha Swing” let’s dig a little deeper. The tune is 16 bars and has a rather simple core that looks like this...

    Miles Davis is known for blending accessibility and novelty really well. This is especially evident in the album “Kind Of Blue”. “Kind Of Blue” features experimental approaches to writing. One result of that is the tune “Flamenco Sketches”. Before we continue, take a listen to “Flamenco Sketches” here: After listening to that recording, it’s time t...

    The tune starts off with something you would expect from a Bill Evans tune. The first 16 bars sound very much like a typical modal jazz ballad, filled with lush sounding Bill Evans jazz chords. Its core has few chords that you can elaborate upon and explore in the same manner that Bill Evans did. The first 16 bars of the tune has this harmonic foun...

    When you think about the simple chord progression that goes from D to Eb, you get a lot of possibilities. Because of that shift from D to Eb, it can easily imply the Phrygian mode. However, because the D major triad has D, F#, and A, we may think that the scale used is Phrygian Dominant in Flamenco Sketches. Now, take note that Phrygian Dominant ha...

    Are you frustrated that all that studying in the practice room only amounts to a mediocre performance? If you’re anything like me, I have had that same frustration too. You may have spent countless hours analyzing tunes and honing your chops, only to find yourself falling back to a bland, uninspiring performance. Times like these, you need a mentor...

  5. Apr 5, 2013 · Bluegrass uses these, plus Mixolydian and Dorian modes, and a Celtic band adds Lydian and Phrygian modes. A Bluegrass band has between 1 and 3 singers who are all singing about an octave above their natural vocal range. Some Old Time and Celtic bands have no singers at all. If a Celtic band has a singer, it is usually either a

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  7. Consider The Religious Songs of Connacht, a collection from Ireland similar to the Carmina Gadelica, and the popular Celtic Daily Prayer and Celtic Night Prayer published by the Northumbrian Community.