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  1. Provenance. Possibly painted as an altarpiece for the Church of San Lorenzo in Lucina, Rome (see infra). Prince Anatole Demidoff of San Donato, Florence (1812-1870); (+) sale, Paris, 3-4 March 1870, lot 199, 'ce tableau est superbe et de la conservation la plus parfaite.

  2. This striking picture of Saint Andrew was executed by Jusepe de Ribera when the artist was establishing his position as the leading painter in Naples.

  3. Jusepe de Ribera, lo Spagnoletto (Valencia 1591-1652 Naples) A man's head in profile red chalk, touches of red wash, watermark five stars in a crest (close to Briquet 1441 (variation with five stars), Amalfi, 1613)

  4. In this prolific period of activity, Ribera covered a range of subject matter with startling originality and virtuosity. He produced the renowned series of philosophers for the Duke of Alcalà, together with many images of saints, in states penitence and ecstasy.

  5. school of jusepe de ribera (1591-1652) The Lamentation etching, before 1624, on laid paper, without watermark, a very good impression of the second, final state, printing with inky plate edges in places and plate tone

  6. Jusepe de Ribera (called Lo Spagnoletto) Spanish. 1648. On view at The Met Fifth Avenue in Gallery 624. Spanish by birth, Ribera lived all his adult life in Rome and Naples, which was then part of the Spanish Empire.

  7. Jusepe de Ribera (circa 1591-1652) or Follower The Lamentation (B. 1; Brown 17) etching, before 1624, a fine, rich impression of the second, final state, printing with many wiping marks and light tone, with small margins, a few tiny rustmarks, mainly visible verso , generally in very good condition

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