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Kazimir Severínovich Malévich, (en ruso, Казимир Северинович Малевич), (11 de febrero/ 23 de febrero de 1879greg., Kiev - 15 de mayo de 1935, Leningrado) fue un pintor ruso, creador del suprematismo, uno de los movimientos de la vanguardia rusa del siglo XX.
- Blanco Sobre Blanco
Fue exhibido en el Museo de Arte Moderno de Nueva York en...
- Cuadrado Negro, 1915
Malevich hizo cuatro variantes, de las cuales se cree que la...
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- Kazimir Malevich
Kazimir Severinovich Malevich (February 23 [O.S. 11]...
- Blanco Sobre Blanco
- Landscape with A Yellow House, 1906
- An Englishman in Moscow, 1914
- The Black Square, 1915
- Sportsmen, 1931
- Woman Worker, 1933
Malevich’s fascination with popular culture and his simplified representation of forms together ignited his desire for experimentation. His Landscape with a Yellow House is an example of the artist’s interest in Impressionism. In 1908, the art journal Golden Fleece hosted an exhibition that brought Matisse, Gaugin, and Van Gogh’s works to Moscow. I...
One of Malevich’s most enigmatic works alongside Woman at the Tram Stop, An Englishman in Moscowbinds together abstract geometry, vibrant colors, and touches of realism. A green-faced man is juxtaposed against a fish, a spoon, an Orthodox church, and calligraphic signs in Cyrillic. One of them reads “Equestrian society,” while the other combination...
Among all of Malevich’s paintings, there is one of which almost everyone has heard. It appears in numerous reproductions. It sparks debates and ignites controversies. The notorious Black Squareis no longer a painting but a social phenomenon. For a conservation expert, the tale of the Black square begins with the painter’s impatience. Malevich paint...
In 1930, Malevich was arrested and spent three months in prison on trumped-up charges of anti-Soviet propaganda. The new regime slowly turned away from his unrestrained art, endangering the artist’s freedom. After his release, Malevich returned to painting peasants and workers, calling his new endeavors an attempt to express Suprematism in the form...
In 1933, Malevich painted a “Neoclassical” portrait of a female worker. This piece still confuses critics, who cannot decide what the position of the woman’s hands signifies. From one point of view, the worker holds her arms in a way that suggests the familiar position of the Madonna’s hands. While the child Jesus is missing, the expression of the ...
- Ana-Teodora Kurkina
En esta exposición realizada en Petrogrado y donde abandona el futurismo, cuelga treinta y nueve obras abstractas y las presenta como el nuevo realismo pictórico, entre ellas el famoso Cuadrado negro, que supone un giro capital en la evolución de Malévich y de toda la pintura moderna.
Malevich's works are held in several major art museums, including the State Tretyakov Gallery in Moscow, and in New York, the Museum of Modern Art [19] and the Guggenheim Museum. The Stedelijk Museum in Amsterdam owns 24 Malevich paintings, more than any other museum outside of Russia. [19]
Kazimir Severinovich Malevich (February 23 [O.S. 11] 1879–May 15, 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing had a profound influence on the development of non-objective, or abstract art, in the 20th century.
- Ukrainian, Russian, Polish
- February 23, 1879
- Kyiv, Ukraine
- May 15, 1935
Kazimir Malevich was the founder of the artistic and philosophical school of Suprematism, and his ideas about forms and meaning in art would eventually constitute the theoretical underpinnings of non-objective, or abstract, art. Malevich worked in a variety of styles, but his most important and famous works concentrated on the exploration of ...
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Malevich was a pivotal figure of the Russian avant-garde movement during the revolutionary periods of 1905 and 1917 and immediately after. He developed a style of severe geometric abstraction called Suprematism and was a leading force in the development of Constructivism.
