Setsuko Hara
Yukie Yagihara
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The film stars Setsuko Hara, Susumu Fujita, Takashi Shimura and Denjirō Ōkōchi. Fujita's character was inspired by the real-life Hotsumi Ozaki, who assisted the famous Soviet spy Richard Sorge and became the only Japanese citizen to suffer the death penalty for treason during World War II.
No Regrets for Our Youth: Directed by Akira Kurosawa. With Setsuko Hara, Susumu Fujita, Denjirô Ôkôchi, Haruko Sugimura. The daughter of a politically disgraced university professor struggles to find a place for herself in love and life, in the uncertain world of Japan leading into WWII.
- (4K)
- Drama
- Akira Kurosawa
- 1980-06-06
Jan 17, 2019 · The story of No Regrets for Our Youth ends twelve years after it began, in 1945. An intertitle proclaims: “The war is lost, but freedom is restored.” Yukie’s father has been restored to his teaching job at Kyoto Imperial University, and Noge’s come to be revered as a martyr.
Yukie (Setsuko Hara) is a young woman living in 1930s Japan, blissfully unaware of the tumultuous political changes occurring around her. She is shocked into reality, though, when her father, a...
- (6)
- Setsuko Hara
- Akira Kurosawa
- Drama
Mar 21, 2011 · But history demonstrates that the human spirit is resilient enough to persevere in such devastating circumstances, and Kurosawa understands the small, humble role that a film like No Regrets for Our Youth can have in summoning up his audience’s courage and determination to carry on, to rebuild that which was lost.
No regrets for our youth (1946) Akira Kurosawa OVERVIEW This was Kurosawa’s fifth film. It has its roots in the so called Takigawa incident )1933), whi\ch is itself viewed as a classicstatement of democratization, as the U.S, and other forces were to discuss and embrace the term during the U.S. Occupation of Japan.
Apr 4, 2010 · Based upon the 1933 Kyoto University Incident in which Professor Takikawa Yukitoki was removed from his position due to his supposedly “red” beliefs, the film is also one of the few examples of a Kurosawa film dealing with a contemporaneous socio-political issue in a direct manner.
