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  1. Traditional and Non-Traditional Values and Expectations in Music Education: Evolving Perceptions of Importance. Paper presented at the International Seminar of the Policy Commission on Culture, Education, and Media, International Society for Music Education, Kaifeng, China.

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  2. Jan 27, 2022 · Understanding music and musical meaning is a central question in various domains such as philosophy, anthropology, social sciences, semiotics and music education. Discover the world's...

  3. This section considers the key curriculum frameworks that music should be taught through. As we have seen, these include Key Concepts and Key Processes (the focus of Chapter 2). Chapter 3 explores the ways in which a cross-curricular approach to teaching and learning in music can be beneficial.

  4. This chapter contains two broad sections: (1) a review of how theories from the general field of psychology have been applied to music education, and (2) an examination of research attempting to créate learn- ing theories unique to music.

  5. Jun 1, 2015 · PDF | Effective teaching is an essential condition for fostering learning in instrumental and vocal music education. The role of the teacher in music... | Find, read and cite all the...

    • Eleonora Concina
  6. Music Learning Theory serves as a theoretical framework that “offers guidance and direction for development of appropriate method…” (Gordon, 2012, p. 28). This keynote identifies and explores some of the key principles of that theoretical framework: (1) audiation is the core of Music Learning Theory; (2) syntax and context is fundamental ...

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  8. Music learning theory (MLT), which was developed by Edwin Gordon, provides a theoretical framework for teaching music. At its core is the goal of developing audiation skills so that students can become musically independent.

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