Jon Davison (film producer)
Search results
Sally Cruikshank. Upload, livestream, and create your own videos, all in HD. This is "beginning, middle and end" by Sally Cruikshank on Vimeo, the home for high quality videos and the people who love them.
- Sally Cruikshank - Vimeo
Sally Cruikshank. Over the years I've animated movie titles,...
- Sally Cruikshank: A Career Retrospective on Vimeo
A career retrospective on the work of filmmaker and animator...
- Sally Cruikshank - Vimeo
Sally Cruikshank. Over the years I've animated movie titles, such as "Ruthless People" and "Mannequin", about 20 songs for Sesame Street, commercials, and…
A career retrospective on the work of filmmaker and animator Sally Cruikshank, created to accompany our feature articles. artofthetitle.com/feature/sally-cruikshank-a-career-retrospective-part-one/ Editor: Ian Albinson (albinsondesign.com)
- Early Life and Education
- Quasi at The Quackadero
- Other Early Projects
- Later Work and Life
Sally Cruikshank was born in Chatham, New Jersey, the daughter of parents Rose and Ernest. Her parents were both Southerners, with her father, an accountant who worked in nearby New York City, New York, holding a Phi Beta Kappa key from Duke University, in North Carolina. Ernest's mother had been the president of the boarding school formerly known ...
While editing "Chow Fun" at San Francisco's Snazelle Films, a commercial-film company that also rented out space and film equipment, Cruikshank, at an employee's suggestion, showed her work to company president E. E. Gregg Snazelle, who gave her a job a week later "to experiment in animation and do TV commercials when there was work". By the end of...
Cruikshank's next short, the eight-minute, 35mm Make Me Psychic (1978; working title Mesmeroid Madness) returns Quasi and Anita and adds the suave Snozzy. Built around a device that taps into one's latent telekinetic power, leading to slapstick at a party, the $14,000 film also was financed by Cruikshank, with the higher budget going toward the hir...
Cruikshank evolved a recognizable style with surrealistic and psychedelic elements. Her film Face Like a Frog (1987) bears a musical score by Oingo Boingo, with the group's Danny Elfmansinging his song "Don't Go in the Basement." Cruikshank has contributed animation sequences to feature films, including Twilight Zone: The Movie (1983) and Top Secre...
May 27, 2015 · In Part Two of our two-part feature interview with Sally Cruikshank, we dive into her film title sequences, her animations for famed children’s show Sesame Street, her pioneering experiments in interactive digital art, and her advice for animators working today.
May 20, 2015 · While Sally Cruikshank is not yet a household name, she is responsible for some of the most innovative animated works in American history. In embracing psychedelia, the infinite, and the possibilities of line, shape, and sound, she lays bare the bones of the medium.
A career retrospective of the work of filmmaker and animator Sally Cruikshank, created to accompany our feature articles.http://artofthetitle.com/feature/sal...
