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Clothes are powerful in Twelfth Night. They can symbolize changes in gender—Viola puts on male clothes to be taken for a male— as well as class distinctions. When Malvolio fantasizes about becoming a nobleman, he imagines the new clothes that he will have. When Feste impersonates Sir Topas, he puts on a nobleman’s garb, even though ...
Viola, disguised as Cesario, meets O. Sir Toby and Maria are married. Discuss Viola's use of her disguise in Shakespeare's Twelfth Night. After the shipwreck, Viola resolves to make the best of her situation and be taken into Orsino's service. As a young eunuch named Cesario, she will be safe from male attentions.
Hallucination. At different points in the play, characters speak of having hallucinations and compare the feeling of being in love to hallucinating. By connecting love with hallucinations, Shakespeare stresses that love is often based on misperceptions… read analysis of Hallucination.
Symbols and motifs are key to understanding Twelfth Night as a play and identifying Shakespeare's social and political commentary. Death. Although no actual deaths occur in Twelfth Night, death haunts this play throughout. At the beginning, Olivia is mourning a dead brother. Sebastian and Viola have just survived a shipwreck, and each spends ...
This exercise helps in recognizing Shakespeare’s use of language to convey complex emotions and character states, illustrating the depth and richness of his writing. Dive into Shakespeare's Twelfth Night with our detailed study guide. Explore characters, themes, and literary devices in this timeless comedy. 🎭📚.
Twelfth Night is a romantic comedy, and romantic love is the play’s main focus. Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. Many of the characters seem to view love as a kind of curse, a feeling that attacks its victims ...
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Twelfth Night is sometimes called a "transvestite comedy" for the obvious reason that its central character is a young woman, Viola, who disguises herself as a pageboy, Cesario. In Shakespeare's time, Viola's part, like all the parts in Twelfth Night, would have been played by a man, because women were not allowed to act.
