Search results
The speech-to-song illusion is an auditory illusion discovered by Diana Deutsch in 1995. A spoken phrase is repeated several times, without altering it in any way, and without providing any context. This repetition causes the phrase to transform perceptually from speech into song.
Speech-to-Song Illusion. The Speech-to-Song Illusion was discovered by Deutsch in 1995, when she was fine-tuning the spoken commentary on her CD ‘ Musical Illusions and Paradoxes ’ 1. She had the phrase ‘sometimes behave so strangely’ on a loop, and noticed that after a number of repetitions, the phrase sounded as though sung rather ...
In addition, Deutsch discovered the Speech-to-Song Illusion. In this illusion, speech is made to be heard as a song, and this occurs without transforming the sounds in any way. Through simply repeating a phrase several times over, this illusion also points to a strong relationship between speech and music. [citation needed]
People also ask
What is the speech-to-song Illusion?
How does a spoken phrase transform into a song?
Why are speech-to-song Illusions weaker than the original illusion?
What did Deutsch discover about music and speech?
Feb 26, 2020 · The Speech-to-Song Illusion. Crossing the borderline between speech and song. Posted Feb 26, 2020. In general, it would appear obvious that speech and song are distinct and separate forms...
The Speech-to-Song Illusion: Crossing the Borderline Between Speech and Song | Musical Illusions and Phantom Words: How Music and Speech Unlock Mysteries of the Brain | Oxford Academic. Chapter.
Memory & Cognition. Mem Cognit. 2022; 50 (8): 1804–1815. Published online 2022 Jan 26. doi: 10.3758/s13421-021-01269-9. PMCID: PMC9767999. PMID: 35083717. The influence of memory on the speech-to-song illusion. Lauren E. Soehlke, 1 Ashwini Kamat, 1 Nichol Castro, 2 and Michael S. Vitevitch 1.
In the “speech-to-song illusion,” certain spoken phrases are heard as highly song-like when isolated from context and repeated. This phenomenon occurs to a greater degree for some stimuli than for others, suggesting that particular cues prompt listeners to perceive a spoken phrase as song.
