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  1. en.wikipedia.org › wiki › Stage_BeautyStage Beauty - Wikipedia

    Stage Beauty is a 2004 romantic period drama directed by Richard Eyre. The screenplay by Jeffrey Hatcher is based on his play Compleat Female Stage Beauty, which was inspired by references to 17th-century actor Edward Kynaston made in the detailed private diary kept by Samuel Pepys.

  2. Stage Beauty: Directed by Richard Eyre. With Derek Hutchinson, Mark Letheren, Claire Danes, Billy Crudup. A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desdemona in Othello.

    • (11K)
    • Drama
    • Richard Eyre
    • 2004-10-29
  3. In Stuart Restoration king Charles II's reign, gay actor Ned Kynaston, a specialist in female parts, enjoys the favor of the public on stage and royal favorite George Villiars, Duke of Buckingham, in bed.

  4. Sep 3, 2004 · Overview. Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting.

  5. www.bbc.com › bbcfilm › filmsStage Beauty - BBC

    Apr 21, 2004 · Stage Beauty is a playful and witty comedy about performing, falling in love and trying to find out who you are. From Richard Eyre, the director of Notes on a Scandal and Iris.

  6. It's the 1660s, and Edward 'Ned' Kynaston is England's most celebrated leading lady. Women are forbidden to appear on stage and Ned profits, using his beauty and skill to make the great female roles his own. But King Charles II is tired of seeing the same old performers in the same old tragedies.

  7. www.wikiwand.com › en › Stage_BeautyStage Beauty - Wikiwand

    Stage Beauty is a 2004 romantic period drama directed by Richard Eyre. The screenplay by Jeffrey Hatcher is based on his play Compleat Female Stage Beauty, which was inspired by references to 17th-century actor Edward Kynaston made in the detailed private diary kept by Samuel Pepys.

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