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  1. Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin once and for all all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life. [. . .] . . .

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  2. Surrealism. The Surrealist Manifesto refers to a collection of several publications between Yvan Goll and André Breton, prior leaders of the rival Surrealist groups. Goll and Breton had both originally published manifestos in October 1924 titled Manifeste du surréalisme. Breton later wrote a second in 1929, publishing it the following year ...

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  4. Preface for a Reprint of the Manifesto (1929) Manifesto of Surrealism (1924) Soluble Fish (1924) Preface for the New Edition of the Second Manifesto (1946) Second Manifesto of Surrealism (1930) A Letter to Seers (1925) Political Position of Surrealism (1935): Extracts Preface (1935) Political Position of Today's Art (1935)

  5. It is living and ceasing to live which are imaginary solutions. Existence is elsewhere. by Andre Breton [Find an abbreviated version of this Breton's First Manifesto of Surrealism here.] So strong is the belief in life, in what is most fragile in life - real life, I mean - that in the end this belief is lost. Man, that inveterate dreamer, daily ...

  6. Sep 5, 2023 · Andre Breton's Manifesto of Surrealism (1924) discusses the idea that we "are living under the reign of logic." Breton talks about humankind's imagination and how it can, to a degree, hold a sense ...

  7. Dec 20, 2022 · The First Manifesto of Surrealism. This is a guest post by Clint Sabom. In 1924, the French poet Andre Breton published The Surrealist Manifesto. Influenced by psychoanalysis and alchemy, Breton maintained a fervent disgust for the institutions of the past that had, in his mind, exercised too much social control.

  8. In 1930, Breton praised Dalí’s representations of the unconscious in the Second Manifesto of Surrealism. They became the main collaborators on the review Minotaure (1933–39), a primarily Surrealist-oriented publication founded in Paris. The organized Surrealist movement in Europe dissolved with the onset of World War II.

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