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Vaults was a British electronica band from London, England, composed of Blythe Pepino, Barney Freeman, and Ben Vella. The band split up in 2017.
Vaults was a British electronica band from London, England, composed of Blythe Pepino, Barney Freeman, and Ben Vella. The band split up in 2017.
Dec 21, 2015 · Vaults, the electro-pop project of Blythe, Ben, and Barney, is, arguably, the most captivating gloom coming out of London in a long time. The trio’s first EP, Vultures, released in November 2014, is a sweeping, swirling charge of orchestral mysticism.
- Hank Mobley: Another Workout
- Wayne Shorter: The Soothsayer
- Tina Brooks: Back to The Tracks
- Bobby Hutcherson: Oblique
- Lee Morgan: The Procrastinator
- Art Blakey & The Jazz Messengers: Africaine
- Grant Green: Matador
- Andrew Hill: Passing Ships
- Larry Young: Mother Ship
- Stanley Turrentine: ZT’s Blues
Alfred Lion must have been a fan of Mobley; the Georgia-born tenor saxophonist recorded 26 album sessions for Blue Note between 1955 and 1970. Curiously, though, seven of them remained in the can and were only issued at a much later date. Another Workout is probably the best of Mobley’s lost Blue Note albums and proves to be a tremendous cache of u...
Recorded in March 1965, The Soothsayer was the second of two fabulous albums recorded by the Newark-born saxophonist, but which Blue Note locked away in the vaults for many years (the other was Etcetera, recorded in June the same year and eventually released in 1980). It found Shorter, who was six months into his tenure with the Miles Davis Quintet...
North Carolina tenor saxophonist Harold “Tina” Brooks recorded four sessions for Blue Note during the years 1958 to 1961, but only one – True Blue – was released during his lifetime. Though he was a gifted horn player and composer who showed ingenuity when he improvised, Brooks’ short career was blighted with drug addiction and led to an early deat...
Five late 60s sessions for Blue Note by Los Angeles vibraphonist Bobby Hutcherson remained unreleased by the label until the late 70s and early 80s. This particular album, a stunning quartet studio date featuring pianist Herbie Hancock, bassist Albert Stinson and drummer/composer Joe Chambers (who also contributed two tunes), is probably the best o...
Blue Note couldn’t keep up with trumpeter Lee Morgan’s creativity in the 60s, and eight albums’ worth of material lay in the vaults for over a decade or more. By the time The Procrastinator came out, in 1979, as a 13-track double-album, Morgan had been dead seven years. It was made up of sessions recorded in 1967 and 1969 and found the Philly trump...
Recorded in November 1959, Africaine spent 22 years languishing in Blue Note’s vaults before producer Michael Cuscuna rescued it and revealed it to the world in 1981. What’s significant about the album is that it not only marked saxophonist Wayne Shorter’s recording debut with The Jazz Messengers, it was also the first time that Jamaica tenor man D...
No musician at Blue Note suffered more, perhaps, from the frustration of having his albums shelved than St Louis guitarist Grant Green. Recorded in May 1965, Matador was just one of a staggering ten lost Blue Note sessions bearing Green’s name. On it he led a quartet that included pianist McCoy Tyner and drummer Elvin Jones (then part of John Coltr...
The master tape for this gem of an album by Chicago pianist/composer Andrew Hill wasn’t discovered until 2001 and was released two years later. Hill, whose predilection for angular melodies invited comparison with Thelonious Monk, was one of the most avant-garde musicians to appear on Blue Note and this session found him leading a nonet that includ...
What John Coltrane was to the saxophone, Larry Young was to the Hammond organ: an innovator who dared to go where no other musician had been before. Mother Ship was recorded in February 1969, just a few months before Young recorded two significant albums as a sideman: Bitches Brew, with Miles Davis, and Emergency, as part of Tony Williams’ Lifetime...
Like Grant Green, the Pittsburgh “Sugar Man”, tenor saxophonist Stanley Turrentine, watched in frustration as Blue Note stockpiled his recordings. When he left Blue Note in 1970 after a decade-long tenure with Alfred Lion’s label, he left eight albums’ worth of recording sessions gathering dust in the vaults. Recorded in September 1961, ZT’s Blues ...
- Charles Waring
- 8 min
20th February 2016. 0. Watch out; the two 2004 hits are from a Suffolk-based hard rock quartet, whereas those from 2015 and later are from a London trio. VAULTS songs and albums, peak chart...
Vaults are an electropop trio from London, UK, consisting of lead singer Blythe Pepino, Barney Freeman and Ben Vella. The band formed in 2013 and posted their first ever track. “Cry No More” on Soundcloud, and subsequently released “Premonitions” in 2014 on the label National Anthem.
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