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  1. Aug 5, 2022 · More than 180 languages and 110 dialects later, 11 languages in the Philippines are said to be dying out, while four are now extinct. How is language going to evolve from here? By Bryle B. Suralta | Aug 5, 2022

  2. Pinoy English: Language, Imagination, and Philippine Literature. R. Kwan Laurel. English has been in the Philippines for a hundred years, yet some of the. best Filipino writers in English express ambivalence as to what should be done with it. This ambivalence is a product largely of a particular. type of nationalist rhetoric that challenges the ...

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  4. Literature Review Philippine English “The linguistic background and colonial history of the Philippines provide an illuminating example of the development of a new variety of English” (Kirkpatrick, 2007, p. 34). The use of English as the primary medium of education in the Philippines started in 1901 together with the arrival of some

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  5. Nov 1, 2008 · The Philippines possesses a great wealth of indigenous languages, and while these languages are related, the differences among them are also extensive. This chapter examines this linguistic diversity. It discusses the eight largest language groups, suggesting that not only are they closely related, but also exhibit a remarkable degree of ...

  6. Aug 7, 2021 · Where Filipino should be taught as a second language, with the native languages being the first, it is English that holds dominion,” he told the Flame. The Filipino professor also noted that the language of China, which is Mandarin, has entered our government and commercial transactions. In terms of how Filipino and indigenous languages help ...

  7. Jan 1, 2021 · Philippines” project, which was conceived as a literary journey of cultural exchange and discovery through the hard work of the team members from the three parts involved: Bulacan State U ...

  8. While literature in the Philippines is written in a variety of languages, including the national one of Filipino, which is Tagalog-based, English-language writers still hold sway. This chapter also discusses the fast-growing number of diasporic writers who have been in the forefront of dynamic Asian-American writing.

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