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This map strongly suggests that there are some state-specific differences in reporting. From 1951 – 1962, the Nevada Test Site (NTS) was a primary site used for both surface and above-ground nuclear testing, with 100 tests at or above ground level, all of which involved releases of significant amounts of radioactive material into the atmosphere.
Sep 28, 2018 · Speculation and shipping difficulties compounded the problem. At the beginning of the war, a 200-pound sack of salt in New Orleans cost 50 cents. By 1862, the price was $25. Soon, Southern states ...
British, born 1937. John Salt (2 August 1937 – 13 December 2021) was an English artist, whose greatly detailed paintings from the late 1960s onwards made him one of the pioneers of the photorealist school. Although Salt's work developed through several distinct phases, it generally focussed on images of cars, often shown wrecked or abandoned ...
Jun 17, 2022 · An Enumeration District was an area that an enumerator (census taker) could completely cover within two weeks in cities and within four weeks in rural areas. Enumeration District Maps show names of political jurisdictions (counties, cities, townships, and so forth), roads, waterways, and large properties, such as parks, cemeteries, prisons, golf courses, and so forth. In cities, maps may ...
Jan 15, 2010 · He opened a salt works and named the area Grand Saline. Prior to 1826 John Lasater owned a salt works twelve miles from the Arkansas River on the banks of what he called the Illinois Bayou, and he sold the site in the late 1820s to Samuel Mackey. Mackey's Salt Works emerged as a productive business and a meeting place of local significance.
John Salt became known as one of the foremost photorealist painters after moving to America from Britain in 1967. The automobile was the main theme of his work during the 1970s – his poetic depictions of abandoned cars and mobile homes are a vivid testament to consumerist society. To create his paintings, Salt drew an outline onto the canvas ...
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This mini-retrospective of the first-generation Photorealist John Salt suggests these contradictions are nothing new. Salt's style may have crystallized in the 1960s, but his pictures from that period are littered with decrepit cars and rusty trailers. The fact that he has maintained broadly the same style and iconography since the 1970s ...
