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  2. Xenophon, accordingly, after offering the sacrifices to the gods that Apollo's oracle prescribed, set sail, overtook Proxenus and Cyrus at Sardis as they were on the point of beginning the upward march, and was introduced to Cyrus.

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    Xenophon (born c. 430 bce, Attica, Greece—died shortly before 350, Attica) Greek historian and philosopher whose numerous surviving works are valuable for their depiction of late Classical Greece. His Anabasis (“Upcountry March”) in particular was highly regarded in antiquity and had a strong influence on Latin literature.

    Xenophon’s life history before 401 is scantily recorded; at that time, prompted by a Boeotian friend, he left postwar Athens, joined the Greek mercenary army of the Achaemenian prince Cyrus the Younger, and became involved in Cyrus’s rebellion against his brother, the Persian king Artaxerxes II. After Cyrus’s defeat at Cunaxa (about 50 miles [80 km] from Babylon in what is now Iraq), the Greeks (later known as the Ten Thousand) returned to Byzantium via Mesopotamia, Armenia, and northern Anatolia. Xenophon was one of the men selected to replace five generals seized and executed by the Persians. The persistence and skill of the Greek soldiers were used by proponents of Panhellenism as proof that the Persians were vulnerable. Initially viewed with hostility by Sparta (the current Greek hegemonic power), the mercenaries found employment in the winter of 400–399 with the Thracian prince Seuthes but then entered Spartan service for a war to liberate Anatolian Greeks from Persian rule. Unpersuaded by Seuthes’s offers of land and marriage to his daughter and evidently disinclined (despite protestations to the contrary) to return home, Xenophon remained with his comrades. Although the Anabasis narrative stops at this point and further details are lacking, he clearly became closely involved with senior Spartans, notably (after 396) King Agesilaus II. When a Greek coalition, including Athens, rebelled against Spartan hegemony in mainland Greece, Xenophon fought (at Coronea in 394) for Sparta.

    Whether his service to Sparta caused or reflected his formal exile from Athens remains a matter of some dispute, but exiled he certainly was. The Spartans gave him somewhere to live at Scillus (across the Alpheus River from Olympia), a small city in the Triphylian state created after Sparta’s defeat of Elis in 400. During his years there, Xenophon served as Sparta’s representative at Olympia, and he sent his sons to Sparta for their education. Some historians believe that he also made a trip to Sicily during this period. He certainly used his mercenary booty to buy land and erect a small-scale copy of Artemis’s famous temple at Ephesus. (In Anabasis, Book V, there is a well-known description of this sacred estate and of the annual quasi-civic festival celebrated there.) Too prominent to be unscathed by Sparta’s loss of authority after the Battle of Leuctra (371), Xenophon was expelled from Scillus and is said to have settled in Corinth—though here, as elsewhere, the biographical tradition is of debatable authority, since the episode does not appear in Xenophon’s own writings. The claim that his exile was formally repealed is another case in point, but his Hipparchicus (Cavalry Commander) and Vectigalia (Ways and Means) suggest that Xenophon had a sympathetic interest in Athens’s fortunes, and rapprochement is reflected in his sons’ service in the Athenian cavalry at the second Battle of Mantinea (362). The death of Xenophon’s son Gryllus there unleashed such a profusion of eulogies that Aristotle later gave the subtitle Gryllus to a dialogue that criticized Isocrates’ views of rhetoric. At the time of his own death, Xenophon’s standing—as author of a considerable oeuvre and hero of an adventure nearly five decades old but ideologically vivid in a Greek world defined by its relationship to Persia—had never been higher. Posthumously his place in the canon of ancient authors was secure; he was a historian, philosopher, and man of action, a perfect model for the young (a view expressed, for example, by Dion Chrysostom [Dio Cocceianus]) and an object of systematic literary imitation by Arrian.

    Xenophon produced a large body of work, all of which survives to the present day. (Indeed, the manuscript tradition includes Constitution of the Athenians, which is not by Xenophon.) The great majority of his works were probably written during the last 15 to 20 years of his life, but their chronology has not been decisively established. His output was formally varied—the main categories were long historical or ostensibly historical narratives, Socratic texts, and short technical, biographical, or political treatises—but these had common features, as enumerated below.

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    First, Xenophon’s work is characterized by novelty. His output includes the earliest or earliest surviving examples of the short nonmedical treatise and of autobiographical narrative (Anabasis). Other works, although not without precedent in genre, are unusual in various ways; this is true of the idiosyncratic contemporary history of Hellenica (“Greek History”) and the fictive history of Cyropaedia (“Education of Cyrus”); the second-order, philosophically nontechnical response to (or exploitation of) Socratic literature found in Memorabilia, Symposium (“Drinking Party”), Oeconomicus (“Household Management”), and Apology; and the novel form of encomiastic biography exemplified by Agesilaus.

    Second, the subject matter reflects Xenophon’s personal experiences. Anabasis and Cyropaedia flowed from the adventure of 401–400; the Socratic writings stemmed from youthful association with a charismatic teacher; Hellenica arose from a personal take on the politico-military history of his times; treatises on military command, horsemanship, household management, and hunting derived from prolonged personal experience of each; Ways and Means was inspired by concern about Athens’s finances and political fortunes; and Hiero may have originated in a visit to Sicily.

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  3. The Apology of Socrates to the Jury ( Greek: Ἀπολογία Σωκράτους πρὸς τοὺς Δικαστάς ), by Xenophon of Athens, is a Socratic dialogue about the legal defence that the philosopher Socrates presented at his trial for the moral corruption of Athenian youth; and for asebeia ( impiety) against the pantheon of Athens; judged guilty, Socrates was sentenc...

  4. This book ends with a beautiful encomium to Socrates spoken in what seems to be Xenophon’s own most authentic voice (Memorabilia IV.viii.11): All who knew what manner of man Socrates was and who seek after virtue continue to this day to miss him beyond all others, as the chief of helpers in the quest for virtue.

  5. For there is a legend that, as Lycurgus entered the temple, the god thus addressed him: ‘I am pondering whether to call you god or man.’ Now Apollo did not compare me to a god; he did, however, judge that I far excelled the rest of mankind.

  6. Xenophon, Apology, section 11. Your current position in the text is marked in blue. Click anywhere in the line to jump to another position: text: section: [ 11 ] “One thing that I marvel at in Meletus, gentlemen, is what may be the basis of his assertion that I do not believe in the gods worshipped by the state; for all who have happened to ...

  7. Sep 9, 2021 · The case will be made that Plato can expect recognition by the reader (as by the Athenian’s interlocutors) that the programme is properly Spartan and Cretan by virtue of its echoes of the programme attributed to Lycurgus by Xenophon.

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