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  1. A simple explanation of Semiotic Analysis in Music and its practical applications. This Article is brought to you for free and open access by the Papers at OpenSIUC. It has been accepted for inclusion in Faculty Papers by an authorized

    • Douglas Worthen
    • 2010
  2. Tarasti, E. (2016). Musical Semiotics – a Discipline, its History and Theories, Past and Present. Recherches sémiotiques / Semiotic Inquiry, 36(3), 19–51. https://doi.org/10.7202/1051395ar. Article abstract. Musical semiotics begins from the premise that music is a signifying phenomenon.

  3. According to the popular view, each musical piece, each melody and figure, is essentially unique. This is to envisage a kind of signi-fication in which everything—the sign, the code, the signified—is irreplic-able, and every detail of the signifier is mapped on to the signified.

  4. Aug 23, 2017 · This chapter sketches recent evolutions of semiotics as applied to music. Rather than providing merely a historical overview, it focuses mainly on the pragmatic turn in semiotics and the role of sensory experience in the process of musical sense-making.

    • Mark Reybrouck
    • 2017
  5. Feb 27, 2018 · Musical sense-making must be situated in the broader context of musicology and semiotics, with major questions which are still pending: What is musical semiotics? What is the relation of...

  6. Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture. Robert Hatten. Musicological Annual. After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work.

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  8. Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture. Robert Hatten. After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work.

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