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  1. A simple explanation of Semiotic Analysis in Music and its practical applications. This Article is brought to you for free and open access by the Papers at OpenSIUC. It has been accepted for inclusion in Faculty Papers by an authorized

    • Douglas Worthen
    • 2010
  2. Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture. Robert Hatten. Musicological Annual. After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work.

    • Robert Hatten
  3. Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture. Robert Hatten. After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work.

    • Mark Reybrouck
  4. Musical semiotics begins from the premise that music is a signifying phenomenon. However, the field itself has developed according to two distinct paths. The first one starts by considering music and its history.

  5. Jun 12, 1997 · In this sense, the present system of music semiotics is a prototype of a system of signs which are successively b uilt from simple objects and relations to end up with complex construcs.

  6. Aug 23, 2017 · This chapter sketches recent evolutions of semiotics as applied to music. Rather than providing merely a historical overview, it focuses mainly on the pragmatic turn in semiotics and the role of sensory experience in the process of musical sense-making.

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  8. Feb 27, 2018 · Musical sense-making must be situated in the broader context of musicology and semiotics, with major questions which are still pending: What is musical semiotics? What is the relation of...

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