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Apr 1, 2024 · In contemporary art, the uncanny continues to be a popular theme among artists who seek to push the boundaries of traditional art and challenge viewers’ perceptions of reality. Artists like Cindy Sherman, Damien Hirst, and Marina Abramović have all explored the uncanny in their works, using photography, sculpture, and performance art to ...
The uncanny seems to be related to beliefs we once held when we were children that we’ve repressed or covered over or hidden away to become adults. We cover over these beliefs because, of course, those beliefs are wrong and we don’t want to be wrong. We want to be grown up.
Nov 1, 2023 · Though exact definitions of the uncanny differ, Jentsch’s core ideas are still present in scholarship analyzing the impact of the uncanny in Gothic literature, art, digital media, and robotics. This guide will go on to explore how Jentsch and Freud define the uncanny, and representations of the uncanny from the nineteenth century to today.
The uncanny. A concept in art associated with psychologist Sigmund Freud which describes a strange and anxious feeling sometimes created by familiar objects in unfamilar contexts. The term was first used by German psychiatrist Ernst Jentsch in his essay On the Psychology of the Uncanny, 1906. Jentsch describes the uncanny – in German ...
Uncanny. ‘Uncanny’ in art is a concept that describes a strange and anxious feeling evoked by familiar objects placed in unfamiliar or unsettling contexts. The concept of the ‘uncanny’ was originally introduced by German psychiatrist Ernst Jentsch in his 1906 essay, ‘On the Psychology of the Uncanny’. Jentsch described the uncanny ...
Aug 28, 2018 · The uncanny is an important topic for aesthetics because it represents an important part of our experience of many works of art. The emergence of the uncanny in art is generally located in the late eighteenth or early nineteenth century, in Gothic novels and Romantic short stories by writers such as E. T. A. Hoffmann and Edgar Allan Poe.
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Sep 2, 2023 · The uncanny is a concept in psychology and aesthetics that refers to a feeling of discomfort or unease that arises when something seems familiar, yet strange or unfamiliar at the same time. The term was popularized by Sigmund Freud in his essay “The Uncanny” (1919), in which he explored the psychological roots of this feeling. According to ...