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Irina Korina (born 1977, Moscow, Russia) is a Russian installation artist. Biography [ edit ] Graduated from the stage design faculty at the Russian Theater Academy, Moscow, in 2000, and also participated in the Valand Academy Exchange Program in Sweden.
Irina Korina. At over 2 metres high, Irina Korina’s Capital (2012), a column-like ‘ruin’ composed of what looks like refuse material, stands as an ironic monument to contemporary culture. The sculpture is made up of ordinary thin plastic bags filled with discarded, donation clothing, tied up and hung flaccidly from the centre of a banged ...
Mar 1, 2024 · Audiences are literally spellbound by ‘Apologue’ on view at the MYTH gallery in St Petersburg, in which two Moscow artists Irina Korina and Olga Bozhko explore the surreal in their Soviet heritage and childhood memories.´Apologue´at the Myth Gallery in St Petersburg is not the first artistic collaboration between artists Irina Korina (b. 1977) and Olga Bozhko (b. 1974).
Shortly after the figure skating team of Irina Korina and Viktor Yelchin finished their first rehearsal for this holiday's edition of Knott's Berry Farm's "Festival on Ice," Korina had a question ...
Official website of contemporary artist Irina Korina (b.1977, Moscow, Russia) 18 May 2021 – 18 May 2022 // Moscow, Russia // Transport Museum, VDNKh, Pavilion № 26. Installation “The Horn of Plenty” at exhibition Moskvich’s Dream. 18 – 20 September 2021 // Moscow, Russia // Central Exhibition Hall Manege.
In this context, it is even more interesting to note remarkably similar phenomena that have appeared independently in both Russian and German art. One striking example of this is the convergence in a number of features of the artistic methods of Isa Genzken (b. 1948) and Irina Korina (b. 1977) that occurred in the mid 2000s and early 2010s.
Euroremont, or the study of it, is Irina Korina’s specialty. The nine works in “Installations,” her first solo museum exhibition, incorporate wallpaper, carpeting, and other home improvement materials bought at Moscow’s bazaars; they evince a revulsion with the old that is the dark side of the desire to start fresh.
