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9th chords: All chord extensions are built from the major scale (9th 11th 13th), so imagine a major scale. starting from the chord's root, and count up to find the 9th, 11th, or 13th. C‹9 C9 CŒ„Š9. Altered chord extensions are usually found over V7 chords. (b9, #9, #11, b13) C7(b9) C7(#9) Cm^9.
To play the rootless voicing shown above, just find the chord’s minor 3rd (Eb) and then play a major 7 chord (Eb major 7 = Eb G Bb D). C7 rootless voicing A (1 / 3 6 7 9) For V7 chords, it’s common to tweak the rootless voicing’s 5th, and play the 6th (or 13th) instead. This only happens for V7 chords.
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m7b5 chord in third inversion (b7 on bottom, “point” to root) think category B dominant 7 voicing, lower 6th (and add b9 which is a half step above the root) Common RH Chord Fingering: 1 2 3 5. B. Example in the key of C minor: DØ G7alt C-. C. Good voice-leading: 3rd to 7th and 7th to 3rd. from the IIØ, find the whole step interval in ...
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Head: a term jazz musicians use to describe the main theme of a tune. Often times in performance, jazz musicians use the standard form of head-in, improvised solos over the chord changes of the head, then head-out. Outside or Out: Playing “out” or “outside” is a term jazz musicians use for playing melodic material that does not “fit”
The 6 types of jazz chord (maj 7, min 7, V7, ø, º7, min-maj 7) - all jazz chords boil down to one of these 7th chords. 6th chords - can be substituted for major 7 or minor 7 chords, but still function the same as a 7th chord. Chord extensions (9ths, 11ths, 13ths) - can be added to any chord. Chord extensions are always built from the major scale.
Welcome. to The Jazz Piano Book. Acoustic jazz piano is a vast subject, and to cover the idiom from James P. Johnson through Cecil Taylor would take a book a thousand times the size of this one. The Jazz Piano Book includes beginning through advanced techniques and covers the period from Bud Powell to the present.