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Plot. The Kim family lives in a semi-basement flat ( banjiha) in Seoul, have low-income jobs, and struggle for money. Min-hyuk, a university student, gives the family a scholar's rock meant to promise wealth.
Sinopsis Parasite (2019) : Keluarga Ki-taek beranggotakan empat orang pengangguran dengan masa depan suram menanti mereka. Suatu hari Ki-woo anak laki-laki tertua direkomendasikan oleh sahabatnya yang merupakan seorang mahasiswa dari universitas bergengsi agar Ki-woo menjadi guru les yang dibayar mahal dan membuka secercah harapan penghasilan ...
- Using Location to Augment The Story
- Fatal Flaws
- The Midpoint
- Source of Pain
- Character Mirroring
- Foreshadowing
- Modern Technology and Screenwriting
In good screenwriting, the location serves the story and amplifies the theme. It should help create the maximum emotional impact for a scene. It’s especially the case in the screenplay for Parasite, in which negative events occur as characters physically descend to a lower level. Here are some examples: 1. The film starts with Ki-Woo squatting near...
In Parasite, several characters have fatal flaws, in that they believe in things that aren’t true. And these beliefs only get them in more trouble. For example, to Ki-Taek, the father of the Kim family, having a plan is more important than doing legitimate, hard work. This negatively affects his family and gets them in deeper trouble as they always...
It can be argued that the midpoint of a story is the most important plot point in a screenplay. The story completely changes as there is usually some sort of big revelation that the characters must now deal with in the second half of the story. In Parasite, the big midpoint occurs when the housekeeper, Moon-Gwang, returns. The big reveal is that th...
There’s a startling turn of events at the end of the film when Ki-Taek plunges a knife into Mr. Park’s chest. Up to that moment, Ki-Taek is shown as completely non-confrontational. So how did he get to such a drastic point? From his source of pain: the shame of the way he smells. Look at how his smell has accumulated because of his economic status:...
There’s an interesting thing that occurs with the characters in Parasite: characters from each family mirror each other. This blurs the line even further between protagonist and antagonist. For example: 1. Both Ki-Taek and Mrs. Park are introduced while they sleep. They seem to share some kind of connection when they shake hands in the sauna. 2. It...
Having seen all of Bong Joon-ho’s movies now, I think it’s safe to say that he enjoys foreshadowing in his films. Clever moments of foreshadowing will go undetected by the audience, but still give us subtle clues as to what’s coming up next. Let’s see what foreshadowing occurs in the screenplay for Parasite: 1. Ki-Taek flicks a stink bug off table ...
As screenwriters, we can’t deny the truth anymore. When we have characters solving problems in modern-day stories, the audience will always ask this question: Why wouldn’t they just use their phone? So let’s look at how Parasiteefficiently answers this question as the use of technology is seamlessly and realistically incorporated into the story: 1....
2h 10m. Drama , Thriller. Keluarga Ki-taek beranggotakan empat orang pengangguran. Suatu hari Ki-woo menjadi guru les yang dibayar mahal di keluarga Mr. Park pemilik perusahaan IT global. Mereka memanfaatkan kesempatan ini sampai sebuah kejadian terjadi. Directors: Bong Joon-ho. Actors:
- Bong Joon-Ho
- Barunson E&A, CJ ENM Hongkong Limited
Apr 20, 2020 · The Kim family is destroyed; Ki-jung is killed, Ki-woo is left brain-damaged, and Ki-taek is forced into hiding after he snaps and acts out a classism-driven murder in the chaos of the birthday party.
The father, Kim Ki-taek ( Song Kang ), and mother, Chung-sook ( Jang Hye-jin ), follow suit, securing jobs as the Parks’ driver and housekeeper. This infiltration, a metaphorical parasitism, showcases the family’s desperate attempt to escape their impoverished life.
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Synopsis. Kim Ki-Taek (Song Kang-Ho), an unemployed driver, lives with his wife Choong-Sook (Jang Hye-Jin), son Ki-Woo (Choi Woo-Shik) and daughter Ki-Jeong (Park So-Dam) in a shabby semi-basement apartment. The family struggles to survive, working low-paying gigs such as folding pizza boxes.
