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      • Capitalism: A Love Story” directed by Michael Moore explores the impact of corporate dominance, income inequality, and the 2008 financial crisis, sparking conversations about the flaws of capitalism and the need for systemic change.
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  1. The primary weapon that Moore employs is shame. That corporations and financial institutions continue to exploit the majority of Americans, including tea baggers and Town Hall demonstrators, is a story that hasn't been told. Here are two shocking revelations Moore makes. The first involves something that is actually called "dead peasant insurance."

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  3. Capitalism: A Love Story is a 2009 American documentary film directed, written by, and starring Michael Moore. The film centers on the late-2000s financial crisis and the recovery stimulus, while putting forward an indictment of the then-current economic order in the United States and of unfettered capitalism in general.

  4. Oct 13, 2009 · The basic point of Michael Moore’s Capitalism: A Love Story is that economics is evil, a system that takes from the 99% of society and gives to the 1% who are wealthy, and it needs to be taken down by a populist uprising of the proletariat. Marx is cheering from his grave.

  5. Jun 2, 2024 · “Capitalism: A Love Story” directed by Michael Moore explores the impact of corporate dominance, income inequality, and the 2008 financial crisis, sparking conversations about the flaws of capitalism and the need for systemic change.

  6. Sep 4, 2009 · Wall Street Journal editorial board member Stephen Moore gets about a minute to explain why capitalism is great and democracy isn't. Sometimes Moore lavishes attention on adversaries just because...

  7. Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan.

  8. After Roosevelt's death, his dream never came to pass in the U.S., but Europeans and the Japanese have put these rights into their social contract. Moore provides a broad historical survey of the history of capitalism with clever visuals in this documentary.

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