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    • Richard Blenkinsop
    • Marshall DSL40CR. The best all-round Marshall amp. Type: All-tube combo. Output: 40W (switchable to 20W) Channels: 2 (2 voices on each) Tubes: 4 x ECC83, 2 x EL34.
    • Marshall JVM205C. The best pro-level Marshall amp for high-gain tones alongside great cleans. Type: All-tube combo. Output: 50W. Channels: 2 (3 voices on each)
    • Marshall Studio Vintage SV20C. Authentic Plexi tones at more manageable volumes. Type: All-tube combo. Output: 20W (switchable to 5W) Channels: 1.
    • Marshall MG30GFX. The best Marshall amp for those just starting out. Type: Solid state combo. Output: 30W. Channels: 2 (2 voices on each) Tubes: N/A.
    • Best Marshall Amp Overall – Marshall Dsl40cr
    • Best Budget Marshall Amp – Marshall Code50
    • Best Marshall Amp For Vintage Sound – Marshall Sv20h Studio Vintage
    • Best Marshall Amp For Gigging – Marshall Ori50c Origin
    • Best Marshall Amp For Beginners – Marshall Mg10g
    • Best Marshall Amp For Recording – Marshall Origin Ori20h
    • Best Marshall Practice Amp – Marshall Mg30gfx
    • Best Compact Marshall Amp – Marshall MS-2

    SPECS 1. Type: Tube 2. Wattage:40 W 3. Speaker Configuration: 1 X 12" Marshall's Dual Super Lead tube amps bring a heady dose of the unmistakable sound that has kept them at the forefront of British amplification for decades. The DSL40CR is a combo rig boasting four ECC83s preamp tubes and two EL34 power amp tubes. There are two channels—a classic ...

    SPECS 1. Type: Solid-State 2. Wattage:50 W 3. Speaker Configuration: 1 X 12" The Marshall Code50 is a solid-state combo rig introduced as a modeling amplifier. While it doesn't offer the same color and dynamics as a traditional tube, Marshall has done an excellent job of getting it close, emulating a number of iconic tonal options. Solid-state amps...

    SPECS 1. Type: Tube 2. Wattage:20 W 3. Speaker Configuration: Head, also available as a 1 X 12" Combo Packing the quintessential tone of the Marshall 1959 Super Lead in a 20-watt amp head, the Marshall SV20H is a shoe-in for those hunting classic Plexi tones without the vintage Marshall window-rattling volumes. The amp has three 12AX7 preamp tubes ...

    SPECS 1. Type: Tube 2. Wattage:50 W 3. Speaker Configuration: 1 X 12" The Marshall ORI50C Origin is a fantastic amp for gigging, straddling the boundary between vintage Marshall tone and affordability. Offering some of the most wonderful cleans around, this 50-watt guitar combo amplifier offers malleable, high-quality sound. The ORI50C is powerful ...

    SPECS 1. Type: Solid-State 2. Wattage:10 W 3. Speaker Configuration: 1 X 6.5" The Marshall MG10G is a basic, bare-bones amp perfect for beginners. It sounds very good, and because of its bare-bones nature, you'll be able to set the tone and forget it—meaning you'll be able to spend less time fiddling with controls and more time actually playing. A ...

    SPECS 1. Type: Tube 2. Wattage:20 W 3. Speaker Configuration: Head The Marshall Origin ORI20H is a 20-watt tube amp head amp offering pure Marshall sound ripe for recording. One of the best Marshall amps around, the Origin ORI20H is also a fantastic amplifier for recording. First, its all-tube design provides fantastic clarity and articulation, whi...

    SPECS 1. Type: Solid-state 2. Wattage:30 W 3. Speaker Configuration: 1 X 10" The Marshall MG30GFX is an excellent practice amp for players of all skill levels. Its versatility is one of its most compelling features—it's an amp that grows with you. Offering plenty of power and onboard effects, you'll easily play anything from rock to pop to blues. T...

    SPECS 1. Type: Solid-state 2. Wattage:1 W 3. Speaker Configuration: 1 X 2" On a desk, in your car, at home, at work, at your in-laws... This amp is the perfect companion to take on the go. Powered by a 9V battery, you can play through this thing literally anywhere. While it's not the loudest amplifier around, the tone is surprisingly good, offering...

    • Isaac Marks
  1. Dec 16, 2019 · Well, Marshall, keenly on the forefront of delivering what players (myself included) need, has introduced the Studio Series, a downsized and manageable power trio of Marshall’s most legendary amplifiers consisting of the Studio Vintage, Studio Classic and Studio Jubilee. All are switchable between 20 and 5 watts, available as a 1x10 combo or ...

    • Paul Riario
    • Marshall MG50GFX. An ideal blend of power and flexibility. This combo amp strikes the perfect balance between power, convenience and features, giving you a gigging musician's tool that can last you for years.
    • Marshall MG10G. A compact format amp that packs a punch. This amp comes at a little size but retains the vibe, quality and overall tonal character that Marshall is renowned for.
    • Marshall JVM215C. A powerful and well-designed amp for the discerning guitarist. A simple yet versatile design with authentic tube tone. This amp is for folks that want realistic Marshall sound on a one-speaker combo amp configuration.
    • Marshall Code 25. Modeling technology that delivers tone and convenience. This amp offers tons of sounds and ways to control them, from onboard knobs all the way to control via a mobile app.
  2. 40/20-watt 2-channel All-tube 1x12" Guitar Combo Amp with Digital Reverb, Effects Loop, and Pentode/Triode Switching - Black. The Marshall DSL40C 40-watt guitar combo amp gives you the definitive essence of British tubularity. Reigning supreme for a decade, the DSL series enjoyed worldwide acclaim. So, with a nod to pent-up player demand ...

  3. Oct 10, 2013 · The DSL15C features one ECC83 and two 6V6 tubes in the power amp section, while the DSL40C features one ECC83 and two EL34 tubes. Both combos feature a shared EQ section for both channels, a Classic Gain channel, an Ultra Gain channel, a tone shift switch, digital spring reverb and a pentode/triode switch. The DSL40C adds a Clean/Crunch mode ...

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  5. Marshall amps have always been my favorite and is the standard that AC/DC uses to this day. My new practice amp get's me a bit closer to the crunch that Angus enjoys when playing his hyper-blues riffs. My only concern is that the tone for the amp seems a bit on the low range. Outside of this relatively small issue the amp is great to practice with.

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