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      • Early Third Cinema and Third-Worldist filmmaking were predicated on nationalism assumed as “unproblematic,” which lead to the production of films that aspired to project “national imaginaries” (Stam 289). By making national films, the movie-makers of the Third Cinema saw themselves as part of national projects.
      literariness.org › 2017/07/30 › third-world-cinema-and-film-theory
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  2. en.wikipedia.org › wiki › Third_CinemaThird Cinema - Wikipedia

    Third Cinema (Spanish: Tercer Cine) is a Latin American film movement that started in the 1960s–70s which decries neocolonialism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money.

  3. Third Cinema, aesthetic and political cinematic movement in Third World countries (mainly in Latin America and Africa) meant as an alternative to Hollywood (First Cinema) and aesthetically oriented European films (Second Cinema). Third Cinema films aspire to be socially realistic portrayals of life.

  4. Third Cinema is a movement that emerged in the 1960s and 1970s, primarily in Latin America, Africa, and Asia. It represents a radical departure from the mainstream (First Cinema) and auteurist (Second Cinema), focusing instead on films as tools for political and social change.

  5. Mar 1, 2018 · In the broader context of this film movement, which was largely catalyzed by Latin American filmmakers in the '60s and '70s, Third Cinema sought to drive the spectator into action against racial, class, and gender inequalities.

  6. Western cinema studies often regard Third Cinema as a film “movement” from revolutionary Latin America in the 60s-70s. The term “Third Cinema” was coined by Argentinian filmmakers Fernando Solanas and Octavio Getino to denote revolutionary cinema existing outside Hollywood (First Cinema) and European auteur cinema (Second Cinema).

  7. Apr 2, 2016 · Along the way Third Cinema would encompass films and movements with shared conditions, similar ideologies, worries and aims originating from Latin America, Africa and some regions of Asia. Even though they failed at becoming a unified revolution, the movement still managed to achieve large-scale influential status that reverberates to this day.

  8. Like individuals in other countries that also formed part of the New Latin American Cinema movement, Argentine filmmakers sought to review the values, histories, and hegemonic culture of the nation in a movement that became known as Third Cinema.

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