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  1. Roger Deakins

    Roger Deakins

    British cinematographer

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  1. www.imdb.com › name › nm0005683Roger Deakins - IMDb

    Roger Deakins. Cinematographer: Blade Runner 2049. Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve. He is a member of both the American and British Society of Cinematographers.

    • January 1, 1
    • 1.78 m
    • Torquay, Devon, England, UK
    • 2 min
  2. His best-known works include The Shawshank Redemption (1994), Fargo (1996), O Brother, Where Art Thou? (2000), A Beautiful Mind (2001), Skyfall (2012), Sicario (2015), Blade Runner 2049 (2017), and 1917 (2019), the last two of which earned him Academy Awards.

    • The Assassination of Jesse James by the Coward Robert Ford (2007) The Assassination of Jesse James by the Coward Robert Ford (2007) Official Trailer #1.
    • Blade Runner 2049 (2017) Blade Runner 2049 - Official Trailer. Blade Runner 2049 is an awesome display of creativity and experimentation. This is the first Roger Deakins movie to win the Oscar for best cinematography despite it being his fourteenth nomination.
    • 1917 (2019) 1917 • The First 9 Minutes. Deciding to shoot 1917 to look like one long take is pure ambition. But if it weren't for the fact that 1917 is actually a good movie, this would've become just another gimmick.
    • Skyfall (2012) Skyfall - Official Trailer. The visual in Skyfall is what happens when you “give” Roger Deakins and Sam Mendes $200 million to make a film.
    • Blade Runner 2049. It's no wonder this film tops lists and finally won Deakins his first Oscar. It has a rich backstory and interesting setting, which were established by the original Blade Runner, but Blade Runner 2049 continues to add to the franchise with new characters, new challenges and new places.
    • 1917. Roger Deakins once again shows off his cinematographic excellence in 1917. He plays with lighting that sets the stage for the weighty plot of the film.
    • The Assassination of Jessie James. Almost every aspect of Deakins’ brilliance is displayed in The Assassination of Jessie James by the Coward Robert Ford.
    • Skyfall. Who doesn't enjoy a good James Bond film? The sophisticated spy has been rebooted over the years for good reason, and in Skyfall, Deakins highlights both exotic locations and intimate emotions to make one of the best Bond iterations.
    • Adam Chitwood
    • A Serious Man (2009) Fair warning: You’re going to see a lot of Coen Brothers movies on this list. As the go-to cinematographer for Joel and Ethan Coen, Deakins has lent his talents to a wide range of classics, but as the Coens vacillate between comedy and drama, so does Deakins.
    • The Shawshank Redemption (1994) One of the most beloved movies of all time, The Shawshank Redemption was far from a box office hit when it was released, but numerous Oscar nominations—including Best Picture and Cinematography—and countless TV airings later, it’s one of America’s favorite movies of all time.
    • Fargo (1996) When you think of Roger Deakins you often think “gorgeous images”, but the guy is also incredibly versatile. Fargo, for example, is at times downright plain, but there’s a methodical quality to the cinematography that’s all in service of the outlandish story the Coen Brothers are telling—a story of a “nice” man in a nice town doing a very, very bad thing.
    • The Village (2004) Two things: Bad movies can have great cinematography, and The Village is not a bad movie. While M. Night Shyamalan’s thriller suffered from sky-high expectations, subsequent watches having already made the twist go down far smoother.
  3. Roger Alexander Deakins, CBE, ASC, BSC (born May 24, 1949) is an English cinematographer. Often cited as one of the greatest and most influential cinematographers of all time, he is known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve.

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  5. 28 titles. 1. Skyfall (2012) PG-13 | 143 min | Action, Adventure, Thriller. 7.8. Rate. 81 Metascore. James Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

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