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The song is a strong example of the influence of the blues on early jazz. There is a twelve-bar blues harmonic progression, with frequent bent notes and slides into notes.
Moreover, the song’s title, “Dippermouth Blues,” holds its own significance. “Dipper” or “dippy” was a slang term used to describe someone who was eccentric or outlandish. The blues, often associated with melancholy and sadness, is transformed into an upbeat and lively tune in Armstrong’s rendition.
- Jazz & Blues: 36 Outstanding Tracks (2001)
- Jazz
- Louis Armstrong
- Joe “King” Oliver, Louis Armstrong
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2 days ago · One of the songs is “Dippermouth Blues,” co-penned by Armstrong and Oliver. Though best-remembered for Oliver’s plunger mute solo, the title refers to Armstrong. Dipper was in fact one of Armstrong’s early nicknames, a riff to his somewhat unusual embouchure.
Jun 15, 2007 · Fifth blues chorus 1:07 - 1:21 Collective improvisation, with the two cornets playing together. I can not tell them apart. Sixth blues chorus 1:22 - 1:37 King Oliver solos here on the wa-wa muted cornet. Seventh blues chorus 1:38 - 1:51 Oliver's second cornet solo using the plunger mute Eighth blues chorus 1:52 - 2:07
- Ken Hope
Abstract. This chapter discusses Joe Oliver’s influence on Armstrong and his advice to play more melody rather than playing “snakes.” It also discusses the breaks that Oliver and Armstrong made in Chicago and how this became a sensation. The break that opens “Dippermouth Blues” is a tonic-diminished break derived from barbershop harmony.
Analysis of "Dippermouth Blues" (SCCJ,1/5) "Dippermouth Blues" is multithematic like a rag piece, whereas blues are typically strophic. The ensemble portions are collectively improvised, though this practice of improvisation comes closer to prearranged playing without music.
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