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  1. Jan 27, 2023 · Art & Art History. Elizabeth Siddal, the Real-Life “Ophelia” A working-class woman with artistic aspirations of her own, Siddal nearly died of pneumonia after posing for John Everett Millais’s iconic painting. Detail from Ophelia by John Everett Millais, c. 1851. via Wikimedia Commons. By: Emily Zarevich. January 27, 2023. 4 minutes.

  2. Walter Deverell and William Holman Hunt painted Siddal, and she was the model for John Everett Millais's famous painting Ophelia (1852). Early in her relationship with Dante Gabriel Rossetti , Siddal became his muse and exclusive model, and he portrayed her in almost all his early artwork depicting women.

  3. Jul 4, 2018 · Sir John Everett Millais, Ophelia, 1851-2. But not everyone knows the story of the woman portrayed in this picture. Pale skin, blue eyes and red hair, Elizabeth “Lizzie” Siddal was 23 when she posed for Millais. Coming from a humble family, she works as a milliner in London.

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  5. Jul 31, 2020 · Ophelia by John Everett Millais (1851-2) is one of the Pre-Raphaelite movement’s most famous paintings – the model was Siddal (Credit: Private collection) The extraordinary story of the...

  6. Dec 26, 2018 · One of the most striking things about Siddall, in fact, is how closely her tragedy resembles that of Ophelia. Grieving her murdered father and rejected by the taciturn Hamlet, Ophelia is condemned to die offstage, a footnote in someone else’s story.

  7. Elizabeth Siddal is known as the model posing in Millais's painting of Ophelia. But there is much more to learn about this story. Here we explore her life as an artist and poet, her influence on the Pre-Raphaelite Brotherhood and the challenges she faced living within Victorian society.

  8. Nov 16, 2022 · In 1852—the same year she became known as the face of Millais’ OpheliaElizabeth Siddal took a turn behind the canvas. Despite lacking any formal artistic training, Siddal created over one hundred artworks over the course of the following decade. She also began writing poetry like many of her Pre-Raphaelite counterparts.

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