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Definition. Original psychedelic era. 1960–65: Precursors and influences. 1965: Formative psychedelic scenes and sounds. 1966: Growth and early popularity. 1967–69: Continued development. Peak era. International variants. 1969–71: Decline. Revivals and successors. Psychedelic soul. Prog, heavy metal, and krautrock. Neo-psychedelia. See also.
Apr 1, 2024 · psychedelic rock, style of rock music popular in the late 1960s that was largely inspired by hallucinogens, or so-called “mind-expanding” drugs such as marijuana and LSD (lysergic acid diethylamide; “acid”), and that reflected drug-induced states through the use of feedback, electronics, and intense volume. Emerging in 1966, psychedelic ...
- The Beatles’ Revolver and The Birth of Psychedelic Rock
- “Psychedelic Music Will Color The Whole Popular Music Scene”
- In Search of Higher Consciousness
- The San Francisco Scene
- La Takes Over
- Phasing and The Studio as An Instrument
- Psychedelic Makeovers
- London’s Psychedelic Underground
- Psych in The Modern Era
For entire swathes of the record-buying public, their first encounter with psychedelic music was provided by Revolver – the game-changing Beatlesalbum, released in August 1966, that contained so much of the exotic instrumentation and elements that came to define the form. It beguiled, ensnared, and, in some cases, disturbed the listener with its fr...
So, which fellow explorers were quickest out of the traps? The Byrds had laid down a formidable marker with the John Coltraneand jazz-indebted “Eight Miles High” in March 1966 – an appropriately lofty reverie which recounted the LA-based band’s August 1965 trip to London through a serenely sinister, heavy-lidded filter of magic realism. “You’ll fin...
Among other pioneering psych adopters were Texas’ 13th Floor Elevators – raving garage-rockers in essence, but lent a philosophical mystique by the studiously earnest LSD evangelism of lyricist and electric jug player Tommy Hall. Their November 1966 debut album, The Psychedelic Sounds Of The 13th Floor Elevators, couldn’t have nailed their freak fl...
If the Dead personified a wantonly indulged alternative lifestyle, Jefferson Airplane were their closest San Franciscan cohorts in terms of counterculture heft. Their third album, November 1967’s After Bathing At Baxter’s, saw them engage most explicitly with the trappings of psychedelia (as on the musique concrète of “A Small Package Of Value Will...
Nearly 400 miles south, Los Angeles had its own burgeoning music scene – one capable of accommodating the psychedelic soul of The Chamber Brothers (whose “Time Has Come Today” nearly cracked the US Top 10 in December 1967), the fitful brilliance of the ill-assorted West Coast Pop Art Experimental Band (“I Won’t Hurt You” from Part Onebeing a faintl...
Among the effects in question was phasing, arguably psychedelia’s single most obvious identifier – and, for once, The Beatles were only indirectly responsible. While holed up in London’s Olympic Studios in June 1967 to record the backing track for “All You Need Is Love,” their producer George Martin asked for “ADT” (automatic or artificial double-t...
If Sgt Pepper’s Lonely Hearts Club Band and Procol Harum’s magisterial “A Whiter Shade Of Pale” formed the twin pillars of 1967’s so-called Summer Of Love, The Beatles’ long-standing rivals, The Rolling Stones, appeared to be slightly on the back foot. In relation to their December 1967 album Their Satanic Majesties Request, drummer Charlie Watts’ ...
The toast of London’s psychedelic pop underground were Pink Floyd: wilful experimentalists whose audio-visual ambition, not to mention their spectacular incongruity where the conventional touring doctrine was concerned, anticipated the festivals and dedicated concert events that proliferated in the following decade. Their light shows at the famed U...
Thereafter, various noble bodies kept psych’s antic spirit alive in the 80s and 90s. The largely LA-based “Paisley Underground,” for instance, saw bands such as The Rain Parade, The Three O’Clock, and Green On Red flirting heavily with psychedelic tones and textures. In the UK, XTC embarked on a psych side-trip as The Dukes Of Stratosphear, and del...
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Jun 7, 2021 · Written by MasterClass. Last updated: Jun 7, 2021 • 3 min read. The psychedelic rock genre formed out of the hippie culture of San Francisco in the late 1960s and quickly spread across the globe, giving rise to some of the greatest rock bands of all time.
- White Rabbit. Psychedelia’s spiritual home is San Francisco, where Ken Kesey and his Merry Pranksters conducted many of their famous mid-60s Acid Tests - mind-expanding bacchanals where the Kool-Aid was laced with LSD.
- Pink Floyd. Over in London, a small psychedelic scene was coalescing around the UFO Club, whose house bands were Soft Machine and Pink Floyd. Led by the mercurial Syd Barrett, the Floyd played spaced-out deconstructions of rhythm 'n' blues, with whimsical lyrics about dandelions and gingerbread men.
- Yellow Submarine. Thanks to the vivid cartoon style of artist Heinz Edelmann and a team of cutting-edge animators, The Beatles’ 1968 film Yellow Submarine provided a joyous visual representation of psychedelia.
- Purple Haze. Sixties psychedelia wasn’t all teacups and sunflowers. There was a harder edge to the genre, exemplified by the likes of The Jimi Hendrix Experience, Cream and Blue Cheer.
Characteristics. 1960s: Original psychedelic era. Revivals and successors. Rock and pop. Post-psychedelic era: Progressive rock and hard rock. Post-punk, indie rock and alternative rock. Hypnagogic pop, chillwave, and glo-fi. Funk, soul, and hip hop. Electronic. Synthedelia. House, techno, and trance. New rave.
May 13, 2024 · May 5, 2021. 4:00 pm. The 100 Best Psychedelic Rock Albums of The Golden Age. When compiling a list of the greatest psychedelic rock albums of the Golden era, there are a couple of things to take into consideration. First, one must determine the parameters of the era: when did it begin and when did it end?
