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What is subjectivity in music?
What makes a song a subjective experience?
Is a recorded song subjective?
Is music a subjective experience?
For eons, music enthusiasts have fought tooth and nail over this simple philosophical question: is taste in music objective, or subjective? Can musical quality be empirically determined, or is it all relative?
Feb 24, 2014 · We can take a purely objective approach when deciding whether music is truly good or bad with a completely non-biased perspective. However, objectivity is no longer the norm for judging music. As post-modernist perspective seeped into our mindset these past couple decades, we judge everything based on how it makes us feel personally.
Subjectivity here appears to refer to the experience of music as akin to a living being, an animate consciousness, but such that the experience may be of an apparent immediacy that shades it into a privileged first-person perspective.
Whether you like a piece of music or not is entirely subjective - it's one of the archetypical examples of an opinion that we might give to a child learning the difference between fact and opinion. But other aspects of music can be objective.
What makes a song a subjective experience isn’t the song itself, but rather the mental, emotional, and physical environment each listener is in when the song is heard. Let’s look at this hypothetical song from a different perspective by thinking about what it would be like to hear the song performed live.
Music, Subjectivity, and Schumann The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-de ned. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and ...
Jan 1, 2020 · Do our subjective experiences when listening to music show evidence of universality? And if so, what is the nature of these experiences? With data-driven methodological and statistical approaches, we examined the feelings evoked by 2,168 music excerpts in the United States and China.
