2017
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The Italian (Russian: Итальянец, translit. Italyanets) is a 2005 Russian drama film directed by Andrei Kravchuk. The screenplay by Andrei Romanov, inspired by a true story, focuses on a young boy's determined search for his mother.
The Italian, or the Confessional of the Black Penitents (1796) is a Gothic novel written by the English author Ann Radcliffe. It is the last book Radcliffe published during her lifetime (although she would go on to write the novel Gaston de Blondeville, it was only published posthumously in 1826).
The Italian, novel by Ann Radcliffe, published in three volumes in 1797. A notable example of Gothic literature, the novel’s great strength is its depiction of the villain, the sinister monk Schedoni.
Jan 19, 2007 · Abandoned by his mother, 6-year-old Vanya (Kolya Spiridonov) lives in an orphanage run by a greedy woman (Mariya Kuznetsova) and her cruel lover (Nikolai Reutov).
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- Drama
- PG-13
From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them.
Sep 5, 2023 · The Italian is a 1797 gothic novel about a young nobleman named Vincentio di Vivaldi who falls in love with Ellena di Rosalba, a young woman of apparently...
Sep 22, 2005 · The Italian: Directed by Andrey Kravchuk. With Nikolay Spiridonov, Mariya Kuznetsova, Nikolay Reutov, Yuriy Itskov. Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.
Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.
Feb 1, 2001 · The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.
- Ann Radcliffe
Jan 19, 2007 · In his feature directorial debut, director Andrei Kravchuk addresses with intelligence and poignancy the urgent issue of illegal adoption in Russia, which has become a well-documented international crisis.
