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Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", [1] and eventually explicitly defined in the liner notes of his Grayfolded album.
John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer. His best known project is Plunderphonics, the practice of making new music out of previously existing recordings (see sound collage and musical montage).
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Much of his work consists of recording small sounds, quotes, and melodies from films, TV programmes or other sources, and sequencing the sounds together to form a new piece of music (a genre also known as plunderphonics). A number of Pogo's works consist almost entirely of the sounds he samples, with few or no additional music or sound samples.
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his Grayfolded album.
Jul 21, 2016 · With the recent return of The Avalanches, we took a look back at 10 essential plunderphonics tracks, offering up a history of sample-based madness.
Sep 28, 2021 · The word “plunderphonics” was coined by Canadian musician John Oswald in his 1985 paper “Plunderphonics, or Audio Piracy as a Compositional Prerogative.” However, the use of recorded music and sounds to create new musical material goes back decades, to the years immediately after World War II.
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Sep 6, 2019 · KEYMAG takes a look into the technique of plunderphonics and two of its greatest accompishments, from DJ Shadow's Endtroducing to the Avalanches' Since I Left You.
