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      Jazz fusion

      • Jazz fusion (also known as fusion, jazz rock, and jazz-rock fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues.
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  2. The most popular jazz-rock strain grew out of hard bop: the funky 1960s jazz of musicians such as flutist Herbie Mann, alto saxophonist Hank Crawford, and the Crusaders. Their repertoires included original and standard rock tunes over which they improvised jazz.

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  3. en.wikipedia.org › wiki › Jazz_fusionJazz fusion - Wikipedia

    Jazz fusion (also known as fusion, jazz rock, and jazz-rock fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues.

  4. Mar 12, 2024 · Influence of Rock and Funk: Fusion was heavily influenced by the rise of rock music in the 1960s. Musicians began incorporating elements of rock, such as electric instruments, amplified sound, and a more rhythmic approach, into their jazz compositions.

  5. Aug 2, 2023 · Rock music evolved into rock and roll in the 1950s as a new style of music. It combined rhythm and blues with other influences. It diversified into many subgenres and styles in the 1960s and 1970s. This was as a result of the social, cultural, and technological changes that occurred in the world.

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  6. By the 1960s the heyday of Tin Pan Alley was gone, superseded by music written by individual artists and groups. The 32-bar song form, the standard for almost 50 years, would disappear in favor of blues-influenced rock ‘n’ roll numbers.

  7. Oct 26, 2018 · The Influence of Jazz Grows. The influence of jazz still resonates more than a hundred years after those first notes called couples out onto the dance floor. With significant influence in every...

  8. Local rock and rollers had to make the music onstage rather than on record. In the United Kingdom musicians followed the skiffle group model of the folk, jazz, and blues scenes, the only local sources of American music making. (This period in the development of British pop music was chronicled at the time in essays by Colin MacInnes.)

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