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  1. Robert Presnell Sr.. Writer: Meet John Doe. The much-traveled Robert Presnell spent part of his childhood in Cuba and in the Phillippines. After his family settled in Chicago he attended technical school, and, subsequently, Chicago University. Graduating in 1914, Robert drifted into journalism.

    • January 1, 1
    • Lake View, Iowa, USA
    • January 1, 1
    • Burbank, California, USA
  2. Robert Presnell Sr.. Writer: Meet John Doe. The much-traveled Robert Presnell spent part of his childhood in Cuba and in the Phillippines. After his family settled in Chicago he attended technical school, and, subsequently, Chicago University. Graduating in 1914, Robert drifted into journalism.

    • April 29, 1894
    • February 12, 1969
  3. Robert Presnell Jr. (July 21, 1914 – June 14, 1986) was an American screenwriter. He became the director of radio shows such as I Love a Mystery and The Orson Welles Show.

  4. Robert Presnell Sr. is known as an Screenplay, Producer, Writer, Story, Adaptation, Associate Producer, and Dialogue. Some of his work includes Meet John Doe, Perry Mason, The Kennel Murder Case, Second Chance, The Real Glory, The Guilty, Employees' Entrance, and The Lost Squadron.

  5. Robert Presnell Sr. Writer, Producer. Born April 29, 1894 in Lake View, Iowa, USA. The much-traveled Robert Presnell spent part of his childhood in Cuba and in the Phillippines. After his family settled in Chicago he attended technical school, and, subsequently, Chicago University.

    • Writer, Producer
    • April 29, 1894
  6. collections.new.oscars.org › Details › CollectionACADEMY COLLECTIONS | details

    Robert R. Presnell Sr. (1894-1969) was born in Lake View, Iowa, and raised in Cuba, the Philippines, and Chicago. He graduated from Albert C. Lane Technical High School in Chicago and attended the University of Chicago from 1912 to 1914.

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  8. Robert Presnell, Sr. adapted his screenplay from a story by Alice D.G. Miller called The Adventuress. The Keyhole, shot in only 25 days on a budget of a mere $167,000 (belied by some extravagant sets), benefits from Michael Curtiz's snappy direction and Barney McGill's fluid cinematography.

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