space rock. Progressive rock (shortened as prog; also known as classical rock or symphonic rock; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States throughout the mid- to late 1960s, peaking in the early 1970s. Initially termed " progressive pop ", the style was an outgrowth ...
- Characteristics of Progressive Rock
Progressive rock was first made in the late 1960s, but became most popular in the 1970s. It continues to be popular today, too. Progressive rock began in England and spread throughout Europe. It remains most popular in Europe, but there are several notable American and Canadian progressive rock bands. This genre was influenced by classical music and jazz fusion. Over the years, different sub-genres of progressive rock have been created, such as symphonic rock, art rock, math rock, and progressive metal. Progressive rock artists wished to create music that was not limited to the structures of common popular rock and pop music. They wanted to make rock music that "progressed" to the complexity of jazz and classical music by creating a more serious, complex and sophisticated type of rock music. Progressive rock bands may have influences from psychedelic rock, folk music, traditional music, world music, and jazz or jazz fusion. It is also referred to as "prog rock" as an abbreviation, o...
Some of the important progressive rock bands from the late 1960s and early 1970s include The Moody Blues, Jethro Tull; Yes, Genesis; Pink Floyd; Emerson; Lake & Palmer; Rush; Gentle Giant; Happy The Man; Van der Graaf Generator, and King Crimson.
Progressive rock is difficult to define, because progressive rock bands often play different types of progressive rock music which sound different. There are some common elements that are in most progressive rock band music, such as long, complex songs, unusual time signatures, unusual instruments or ways of using them, and use of improvisation, which means making up or inventing music while playing on stage. Albums by progressive rock groups are often concept albums. In a concept album, the songs have a common theme, are arranged in a certain order and often tell a story or represent a larger concept.
Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
- Stations and personnel
- Later developments
Progressive rock is a radio station programming format that emerged in the late 1960s, in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head'" and discussing social issues in between re
When FM broadcasting licenses were first issued by the FCC, broadcasters were slow to take advantage of the new airwaves available to them because their advertising revenues were generated primarily from existing AM broadcasting stations and because there were few FM radio receivers owned by the general public. This void created an opportunity for the disenchanted youth counterculture of the 1960s to express itself by playing music that was largely ignored by mainstream outlets. In this sense, p
The progressive rock radio format should not be confused with the progressive rock music genre. While progressive rock music was certainly played on progressive rock stations, a number of other varieties of rock music were also played. Generally everything from early Beatles and early Dylan on forward was fair game. Progressive rock radio was generally the only outlet for fringe rock genres such as space rock, jazz fusion, and quiet, acoustic-based folk rock and country rock. Progressive station
The archetypal successful and influential progressive rock radio station was WNEW-FM in New York in the late 1960s, 1970s, and into the 1980s. For instance, Keith Emerson credited it for breaking Emerson, Lake & Palmer into the United States market. Other long-running, large-market examples included WMMR in Philadelphia, WBCN in Boston, WHFS in Washington, D.C., WXRT in Chicago, WMMS in Cleveland, WEBN in Cincinnati, CJOM, WWWW and WABX in Detroit/Windsor, WZMF in Milwaukee, KQRS-FM in Minneapol
Over time, the large-city progressive rock stations usually lost DJ freedom and adopted the more structured and confined album-oriented rock format in the late 1970s and 1980s, and then later the nostalgic classic rock format in the 1980s and 1990s, while the smaller stations sometimes turned to college rock or alternative rock. Where once "progressive rock radio the key media of ascendant rock culture", as writer Nelson George put it, by 1987, musician and author Robert Palmer would write, "The
Timeline of progressive rock (1970–1979) Timeline of progressive rock (1980–1989) Timeline of progressive rock (1990–1999) Timeline of progressive rock (2000–2009) Timeline of progressive rock (2010–2019)
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