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Vincenzo Foppa (c. 1427–1430 – c. 1515–1516) was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School.
- Italian Renaissance
- Crucifixion, Portinari Chapel, The Young Cicero Reading, Adoration of the Kings
Vincenzo Foppa ( Brescia, 1427 - 1430 circa [1] – 1515 circa) è stato un pittore italiano, tra i principali animatori del Rinascimento lombardo prima dell'arrivo di Leonardo da Vinci a Milano . Indice. 1 Biografia e opere. 1.1 Gli esordi e la Crocifissione. 1.2 Tra Pavia e Genova (1455-1463) 1.3 Nella Milano di Francesco Sforza.
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Mar 4, 2024 · Vincenzo Foppa (born 1427/30, Brescia, Republic of Venice [now in Italy]—died 1515/16) was an Italian painter, leading figure in 15th-century Lombard art, and an artist of exceptional integrity and power. His earliest dated work is a dramatic painting of the “Three Crosses” (1456).
- The Editors of Encyclopaedia Britannica
Origins. Lotto in Bergamo. The Renaissance in Brescia. The beginnings. Vincenzo Foppa. The "intermediate generation" Floriano Ferramola. Vincenzo Civerchio. Paolo da Caylina the Younger. The masters of the high Brescian Renaissance. Romanino. Moretto. Savoldo. Renaissance sculpture in Brescia. Moroni, between Bergamo and Brescia. See also. Notes.
Vincenzo Foppa, Miracle of Narni, Portinari Chapel. One of the most remarkable pictorial undertakings of Francesco Sforza's lordship is precisely related to the Portinari Chapel, frescoed in the upper parts of the walls by Vincenzo Foppa between 1464 and 1468.
Foppa was a Renaissance painter from Northern Italy; an elderly contemporary of Leonardo da Vinci (1452 – 1519). Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombardy painters, eventually returning to Brescia in 1489.
ca. 1480. On view at The Met Fifth Avenue in Gallery 610. Foppa was the founder of Renaissance painting in Milan, where he worked for the dukes. In addition to major fresco cycles and altarpieces, he also painted touching images of the Madonna and Child for private devotion.
