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Ornament and Verbrechen
- Adolf Loos is best-known for his 1908 essay " Ornament and Verbrechen," translated as "Ornament & Crime." This and other essays by Loos describe the suppression of decoration as necessary for modern culture to exist and evolve beyond past cultures.
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Mar 22, 2024 · Adolf Loos (born December 10, 1870, Brno, Moravia, Austria-Hungary [now in Czech Republic]—died August 23, 1933, Kalksburg, near Vienna, Austria) was an Austrian architect whose planning of private residences strongly influenced European Modernist architects after World War I.
- The Editors of Encyclopaedia Britannica
- Early Life
- Professional Years
- Personal Life
- Architectural Style
- Famous Quotes: 'Ornament and Crime'
- Death
- Legacy
- Sources
Adolf Franz Karl Viktor Maria Loos was born December 10, 1870, in Brno (then Brünn), which is the South Moravian Region of what was then part of the Austria-Hungary Empire and is now the Czech Republic. He was one of four children born to Adolf and Marie Loos, but he was 9 when his sculptor/stonemason father died. Although Loos refused to continue ...
In 1896, Loos returned to Vienna and worked for the Austrian architect Karl Mayreder. By 1898, Loos had opened his own practice in Vienna and became friends with free-thinkers such as philosopher Ludwig Wittgenstein, expressionist composer Arnold Schönberg, and satirist Karl Kraus. The intellectual community of Vienna at the time of the Belle Epoqu...
While Loos' architecture was explicitly clean in line and structure, his personal life was in shambles. In 1902, he married 19-year-old drama student Carolina Catharina Obertimpfler. The marriage ended in 1905 amidst a public scandal: he and Lina were close friends of Theodor Beer, an accused child pornographer. Loos tampered with the case, removin...
Loos-designed homes featured straight lines, clear and uncomplicated walls and windows, and clean curves. His architecture became physical manifestations of his theories, especially raumplan ("plan of volumes"), a system of contiguous, merging spaces. He designed exteriors without ornamentation, but his interiors were rich in functionality and volu...
Adolf Loos is best-known for his 1908 essay "Ornament and Verbrechen," translated as "Ornament & Crime." This and other essays by Loos describe the suppression of decoration as necessary for modern culture to exist and evolve beyond past cultures. Ornamentation, even "body art" like tattoos, is best left for primitive people, like the natives of Pa...
Nearly deaf from syphilis and cancer by age 62, Adolf Loos died in Kalksburg near Vienna, Austria, on August 23, 1933. His self-designed gravestone in Central Cemetery (Zentralfriedhof) in Vienna is a simple block of stone with only his name engraved—no ornamentation.
Adolf Loos extended his architectural theories in his 1910 essay "Architektur," translated as "Architecture." Decrying that architecture had become a graphic art, Loos argues that a well-made building cannot be honestly represented on paper, that plans do not "appreciate the beauty of bare stone," and that only the architecture of monuments should ...
Andrews, Brian. "Ornament and Materiality in the Work of Adolf Loos." Material Making: The Process of Precedent, 2010. Association of Collegiate Schools of Architecture, p. 438Colomina, Beatriz. "Sex, Lies and Decoration: Adolf Loos and Gustav Klimt." Thresholds.37 (2010): 70–81.Loos, Adolf. "Architecture." 1910.Loos, Adolf. "Ornament and Crime." 1908.Adolf Franz Karl Viktor Maria Loos (10 December 1870 – 23 August 1933) was an influential Austrian and Czechoslovakian architect of European Modern architecture and a leading critic in the field of construction and design. Loos was known for his controversial views on the use of ornamental decoration in the architecture and design of buildings.
Dec 10, 2019 · Written by Evan Rawn. Published on December 10, 2019. Share. Adolf Loos (December 10, 1870 – August 23, 1933) was one of the most influential European architects of the late 19th century and is...
Adolf Loos (December 10, 1870 in Brno, Moravia – August 8, 1933 in Vienna, Austria) was an early-twentieth century Viennese architect. He believed that what is beautiful must also be useful, and linked beauty and utility by returning an object to its true utilitarian value.
Essay. Adolf Loos suffered from progressive hearing loss. As a child, his hearing was poor, and by the time he reached his mid-50s, his condition had deteriorated to the point that he became dependent on a hearing trumpet. As it declined further, he began to carry a pen and notebook, turning to the written word in lieu of speech.
Nov 28, 2021 · Perhaps one of the most famous instances in history was the precedent set by Adolf Loos and his desire to break away from Viennese tradition with his strong dissent of ornament in architecture...
