Search results
Marc Streitenfeld (born 1974) is a German composer of film scores. He has frequently collaborated with director Ridley Scott. Streitenfeld has composed the music for many high-profile Hollywood features as well as critically acclaimed independent films, including American Gangster, Body of Lies, The Grey, Prometheus, Poltergeist and All I See ...
The composer recently completed work on the the second season of Raised By Wolves. Award-winning film composer Marc Streitenfeld is known for his uniquely diverse style that includes pure melodic orchestral compositions, unusual instrumentations and haunting, organic sound creations.
Marc Streitenfeld (* um 1974 in München) ist ein deutscher Filmkomponist. Bekanntheit erlangte er durch seine wiederholte Zusammenarbeit mit dem britischen Filmregisseur Ridley Scott (unter anderem Ein gutes Jahr , American Gangster , Robin Hood , Prometheus ).
- um 1974
- deutscher Filmkomponist
- München
- Streitenfeld, Marc
Rating. Filmtracks. [1] Prometheus: Original Motion Picture Soundtrack is an original motion picture soundtrack album for the 2012 science fiction film, Prometheus. Written by German composer Marc Streitenfeld, the soundtrack also features two supplemental pieces by English composer Harry Gregson-Williams, [2] and it was conducted by Ben Foster.
- Soundtrack
- Abbey Road Studios
- 57:07
It also includes two cues from the film score Marc Streitenfeld, who also produced the soundtrack. It was released by Island Records and Def Jam Recordings digitally on October 23, 2007, and followed a physical release, the week later.
- 45:34
- October 23, 2007 (digital), October 30, 2007 (physical)
May 20, 2015 · Weekly Online. Marc Streitenfeld — the composer of “Prometheus,” “American Gangster” and the upcoming “Poltergeist” — can trace his musical roots back to a 19th-century troubadour ...
Marc Streitenfeld is a German film score composer, known for his collaborations with director Ridley Scott.Born in Munich, Germany, Streitenfeld relocated to Los Angeles at the age of 19, first working briefly as a musical assistant for composer Hans Zimmer, then independently as a music editor and supervisor on several blockbusters.
