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  1. en.wikipedia.org › wiki › Rich_MooreRich Moore - Wikipedia

    Rich Moore. Richard L. Moore [1] (born May 10, 1963) [2] is an American film and television animation director, screenwriter and voice actor. He is best known for serving as a director on primetime animated television series such as The Simpsons, The Critic and Futurama as well as directing the films Wreck-It Ralph (2012), Zootopia (2016) and ...

  2. www.wikiwand.com › en › Rich_MooreRich Moore - Wikiwand

    Richard L. Moore is an American film and television animation director, screenwriter and voice actor. He is best known for serving as a director on primetime animated television series such as The Simpsons, The Critic and Futurama as well as directing the films Wreck-It Ralph (2012), Zootopia (2016) and Ralph Breaks the Internet (2018) for Walt Disney Animation Studios.

  3. From Wikipedia, the free encyclopedia. Rich Moore is an American animation director and a business partner in Rough Draft Studios, best known for his work on The Simpsons and Wreck-It Ralph. His animation directing credits include the television series The Simpsons, Futurama, The Critic, Drawn Together and Baby Blues, and the segment "Spy vs. Spy" for MADtv. He was also sequence director on ...

  4. Ralph Breaks the Internet is a 2018 American animated comedy film produced by Walt Disney Animation Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to the 2012 film Wreck-It Ralph. The film is directed by Rich Moore and Phil Johnston (in Johnston's directorial debut), written by Johnston and Pamela Ribon from a ...

  5. www.imdb.com › name › nm0601781Rich Moore - IMDb

    Rich Moore. Director: Wreck-It Ralph. Rich Moore was born on 10 May 1963 in Oxnard, California, USA. He is a director and producer, known for Wreck-It Ralph (2012), Zootopia (2016) and Ralph Breaks the Internet (2018).

    • Director, Additional Crew, Producer
    • May 10, 1963
    • Rich Moore
  6. Dec 6, 2018 · We talked to directors Rich Moore and Phil Johnston about the technological tools that made the film possible, the ease of dealing with real-world companies like Google and eBay, the challenge of ...

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