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May 3, 2024 · doo-wop, style of rhythm-and-blues and rock-and-roll vocal music popular in the 1950s and ’60s. The structure of doo-wop music generally featured a tenor lead vocalist singing the melody of the song with a trio or quartet singing background harmony. The term doo-wop is derived from the sounds made by the group as they provided harmonic ...
- Frederick Dennis Greene
Sep 26, 2023 · The Legends of Doo Wop Songs The genre of Doo Wop music holds a special place in the hearts of music enthusiasts, blending harmonious melodies with captivating vocal arrangements. Doo Wop emerged in the 1940s and 1950s, originating in African-American communities and later gaining popularity among diverse audiences. Its influence can still be felt in …
- The Drifters. 166 votes. The Drifters are truly a testament to the staying power of doo-wop music, with a legacy spanning over half a century and a talent for seamlessly blending R&B, soul, and rock and roll.
- The Platters. 233 votes. The Platters earned their status as one of the finest doo-wop groups through their elegant harmonies, refined arrangements, and timeless love songs.
- The Del-Vikings. 138 votes. The Del-Vikings stand out in the doo-wop pantheon for their unique formation story, having met and formed while they were in the United States Air Force.
- The Flamingos. 180 votes. The Flamingos epitomize the enchanting, soulful side of doo-wop music, with an effortless blend of intricate harmonies and passionate delivery that has won the hearts of fans across generations.
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- “Blue Moon” by The Marcels
- “Rama Lama Ding Dong” by The Edsels
- “Morse Code of Love” by The Capris
- “Speedoo” by The Cadillacs
- “I Wonder Why” by Dion & The Belmonts
- “Book of Love” by The Monotones
- “Come Go with Me” by The Del-Vikings
- “At The Hop” by Danny & The Juniors
- “Get A Job” by The Silhouettes
- “Stay” by Maurice Williams & The Zodiacs
The introduction to The Marcels’ version of “Blue Moon” is one of the most famous and recognizable doo-wop portions of a song. It’s a perfect example of alliterative, percussive doo-wop vocals that turn gibberish into exciting, emotional music. “Blue Moon” was originally a stage song in the 1930s, but this version by The Marcels became one of its b...
Many a pop song has made gibberish syllables into deeply emotional expressions, and “Rama Lama Ding Dong” is a product of that tradition. One would be surprised to meet someone named Rama Lama Ding Dong in real life, but in the context of the song, the name projects just the type of freewheeling, joyous love that doo-wop is renowned for. Oh, and he...
“Morse Code of Love” is a funny example of doo-wop referencing modern, atomic age technology to tell a typically romantic story. Morse code itself, made up of dots and dashes, makes a surprisingly apt metaphor for doo-wop background vocals, which typically alternate between rhythmic bursts and sustained harmonic lines.
While it prominently features the trademark doo-wop backing vocals, The Cadillacs’ “Speedoo” sticks out from other doo-wop hits by embracing a more bluesy lead vocal line. “Speedoo” is a fast-paced, hard rocking number with the rhythm of a steam train. Fittingly, the lyrics describe a narrator who does everything the fast way.
Hailing from the Bronx, Dion & the Belmonts excelled at creating vocal parts that were driving and percussive. Their breakout hit, “I Wonder Why,” prominently displays this talent, with background vocals that mimic energetic jazz drum fills before the voices unite around harmonies that further raise the song’s emotional fervor.
“Book of Love” is one of the most recognizable songs in the doo-wop catalog. It is masterful in its use of evocative imagery to tell a quick and catchy pop music story, creating a metaphor for love and relationships that consists of progressive chapters. “Book of Love” has also enjoyed a long pop cultural afterlife. Sha Na Na covered it at Woodstoc...
The Del-Vikings’ “Come Go With Me” is notable for its backing vocals, which are even more prominent than is usually the case in doo-wop.The backing parts are exceptionally layered, dancing and swirling around the lead part’s syllables. This creates a sort of echo chamber effect, as if the backing parts are bouncing off the walls as the leader singe...
Decorated by ascending harmonies that convey the excitement of teenagers heading out on the weekend, “At the Hop” paints a vivid image of 50s-style fun. The lead vocals are charged and nimble, trading the emotional falsetto found in much of doo-wop for a level tone and relaxed attitude. The song also features prominent boogie-woogie style piano, pu...
Released in 1957, “Get a Job” was one of the most commercially successful as well as one of the most influential doo-wop songs. The song topped both the pop and R&B charts, and is credited with “inventing” two or three different staple doo-wop singing hooks. On top of that, the song’s lyrics are based on real-life parental advice!
In a genre full of catchy hooks, “Stay” has some of the best, with a stratospheric falsetto chorus that leans farther into doo-wop’s romantically desperate emotions than most. The backing rhythm employs more of a shimmying shuffle than many other doo-wop songs, which tend to rely on a straight-ahead rock and roll bop. While “Stay” would later reach...
TOP 100 Best Doo Wop Songs of All Time You can enjoy more music here: 1. Greatest Oldies Songs - Best Old Music Playlist (Updated Weekly 2024) - https://play...
Doo Wop. Doo Wop was one of the most popular genres of rock & roll and R&B in the late '50s. Doo wop artists were vocal groups, with each singer in the group taking a different part that interweaved with the other singers. Frequently, the backing vocalists sang nonsense words as rhythm, and the genre's name derives from this trait.
Doo-wop is a subcategory that focuses on vocal jazz. This includes group harmony, a wide range of vocal parts, scat-like syllables, light or no instrumentation, and R & B rhythms and lyrics. The term doo-wop is derived from the sounds made by providing harmonic background for a lead singer. In The Delta Rhythm Boys’ 1945 recording, “Just A ...
